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Alice Bailey & Djwhal Khul - Esoteric Philosophy - Master Index - ACTOR
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ACTOR
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Education, vi:in the universe in which man is spectator and actor. Our problem is to attain the kind of overallFire, 472:says, Shri Krishna, we need five essentials: The actor. The determined will. Implements forFire, 1166:gods; by action is manifestation, and he is the actor; and because actor, therefore is he alsoFire, 1166:manifestation, and he is the actor; and because actor, therefore is he also sometimes called theGlamour, 243:the Thinker, from the One who feels and from the Actor and Player of the many parts which the SoulHealing, 398:give sanctuary to that "I" which has been the actor on the physical plane and which has hithertoHealing, 629:is the Being, the spiritual man, the actor, the one who feels (in varying degrees), and theHercules, 101:nature was manifested. Man became a living actor on the physical plane. But it is in Leo that manIntellect, 54:the field of sensuous experience, and of the actor, towards the physical body - the sole means ofIntellect, 126:a consciousness of something Other, of a f actor lying beyond known human experience, of a goal orMagic, 37:evolution as the onlooker, the perceiver, the actor. This it is which enables him eventually toMagic, 420:the physical acts and not upon the life of the actor. When the attention is fixed upon the soul,Patanjali, 152:and stand apart as the divine perceiver and actor. He will use forms as he desires in order toPsychology2, 10:comes forth into physical incarnation. The actor appears in process of learning his part; he makesPsychology2, 19:in the three worlds of its experience. The actor in the drama of life masters his part. Through thePsychology2, 424:ability. It is the sense of "I, the dramatic actor". This rightly used and developed, is of realPsychology2, 557:of his human experience, he remains the dramatic actor, holding the center of the stage and in hisRays, 4:that he is only the Observer, the Perceiver and Actor. A close consideration throughout the day asRays, 484:the third divine aspect - that of the Creative Actor - comes into activity. It was so in the
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