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Alice Bailey & Djwhal Khul - Esoteric Philosophy - Master Index - CREATIVE
creations

CREATIVE
(page 13 of 14)

creatively


Rays, 453:past (consciousness thread) and the present (the creative thread), and together they form what isRays, 453:the head. Throughout all the past centuries, the creative thread, in one or other of its threeRays, 453:woven by the man; of this fact in nature his creative activity during the past two hundred years isRays, 453:years is an indication, so that today the creative thread is a unity, generally speaking, asRays, 454:major threads which are in reality six, if the creative thread is differentiated into its componentRays, 454:thread and a third stream of energy the creative thread. They are essentially, all three of themRays, 455:integration of the consciousness thread with the creative thread and with the life thread. CreativeRays, 455:the creative thread and with the life thread. Creative activity. This is essential, for it is notRays, 455:for it is not only through the development of creative ability in the three worlds that theRays, 457:increasing frequency; he is becoming somewhat creative upon the physical plane, both in hisRays, 458:of soul and personality is strengthened, the creative thread becomes increasingly active, and thusRays, 458:soul. This involves a direct effort at divine creative work. The clue to understanding lies perhapsRays, 459:transient in time and space. Through conscious, creative work, it can be related to the manasicRays, 464:Soul The note of attractive sound Develops the creative thread: 3. The Mother Aspect TheRays, 465:nature is: Becoming oriented, regulated and creative. Recognizing and reacting to soul contact andRays, 466:its threefold nature. This is done through the creative work of the personality, the magnetic powerRays, 469:is, in reality, inclusive participation in the creative activity of divinity. The divine idea mustRays, 469:in substance upon the physical plane. The creative thread, now somewhat ready, must be brought intoRays, 469:consciousness thread, in cooperation with the creative thread and the life thread, awakens to aRays, 469:aware process of participation in the divine creative Plan - a Plan which is motivated by love andRays, 473:potent that their magnetic influence and their creative effect are making the building of theRays, 474:They must seek those new attitudes and those new creative approaches which will result not alone inRays, 474:itself through the consciousness thread and the creative thread. These two threads are, for theRays, 475:(the consciousness thread) and the present (the creative thread). The life thread or sutratmaRays, 475:point it becomes apparent that a creativity or a creative activity of the Will is needed to bridgeRays, 476:bridge." You have therefore: The Quaternary, the creative factor on Earth. The fourth initiation,Rays, 476:the life thread. The consciousness thread. The creative thread, itself threefold. The technicalRays, 478:histories are concerned - the third thread, the creative thread, comes into active expression andRays, 478:of their presence. The process of recognizing creative ability and of opportunity falls into twoRays, 478:of the Son of Mind or soul. The stage of creative activity wherein the creative thread is broughtRays, 478:soul. The stage of creative activity wherein the creative thread is brought into full use. ThisRays, 478:early stages of the Aryan race, although great creative monuments appeared everywhere upon theRays, 478:men of the time, but were the imposition of the creative will of the planetary Hierarchy upon thoseRays, 478:higher impression. The responsive sensitivity to creative impression was the outstanding quality ofRays, 479:of conscious life, of full self-awareness and creative expression. All of these were the expressionRays, 482:process which are dependent upon the use of the creative imagination. When these two factors areRays, 482:factor of planned impulse - you have started a creative process which will be productive of majorRays, 482:production of magnetic force. This is the creative process. [483] It is true of the activity of aRays, 483:has for long been receptive to the third or creative aspect of the Shamballa energy, and - at someRays, 484:however, the third divine aspect - that of the Creative Actor - comes into activity. It was so inRays, 484:Actor - comes into activity. It was so in the creative process where the tangible universe wasRays, 484:plane; they became artists in some form of creative effort. In the task [485] of building theRays, 486:and endeavor to arrive at their occult and creative significance. Rays, 487:or intuitional impression and an act of the creative imagination. A process of energy gathering orRays, 488:the activity has been of a mental nature. The creative imagination has been relatively quiescent;Rays, 489:of light in all its beauty and completeness. The creative imagination has to be stepped up in itsRays, 489:gathered for the building of the bridge. The creative activity of the imagination is the firstRays, 489:upon this occult and significant statement. The creative imagination is in the nature of an activeRays, 489:bridge. Visualization is the process whereby the creative imagination is rendered active andRays, 489:between the buddhic intuition and the creative imagination [490] of the astral body. Consequently,Rays, 491:upon a [491] Word of Power, as in the logoic creative process. This is in reality a reversal of theRays, 491:of the accumulated energies, organized by the creative imagination and brought to a point ofRays, 501:the work goes forward uniformly. The use of the creative imagination [502] is now called forth andRays, 505:(one group of each ray type). To this bridge the creative work of all human beings who reach theRays, 505:because it is the dominant note of the Fourth Creative Hierarchy. Now let us take up the seven rayRays, 509:the Spiritual Triad, using constantly the creative imagination. This line of light (this strand orRays, 511:and force. It is dependent upon the use of the creative imagination. Students would do well toRays, 512:point of tension. Visualization. The use of the creative imagination or the picture-making faculty.Rays, 516:power (the Spirit aspect) which acts as a great creative agency and bridges across all barriers andRays, 535:the disciple finds what it is to become a creative agent, using the creative faculties of the mindRays, 535:what it is to become a creative agent, using the creative faculties of the mind and conformingRays, 535:and in a most mysterious way concerned with the creative work, and with the spiritual expression inRays, 547:of the Antahkarana. In the early stages of its creative construction, the Antahkarana is adequateRays, 550:- which have not hitherto been recognized. This creative crisis has been made possible by threeRays, 552:This will bring in an era of greatly enhanced creative activity; it will be an activity such as hasRays, 552:existing between the sacral center (the physical creative center) and the throat center, and of theRays, 552:of the planetary Logos. This progressive "creative raising" necessarily produces a cycle ofRays, 552:- Humanity itself is in process of becoming creative in the higher sense, and when thisRays, 552:sense, and when this synchronizes with a major creative planetary activity, then a cycle of veryRays, 552:nothing like it will have been seen before. A creative planning for human well-being and aRays, 552:planning, will demonstrate in every country; a creative thinking will be apparent which willRays, 552:will express itself in writing and in poetry; creative imagining will produce the new art, the newRays, 552:the new architecture and the new culture; a creative responsiveness to the "music of the spheres"Rays, 552:new music. All this will be in response to the creative reorganization and the newly directedRays, 553:a response. Invocation, accompanied by the creative imagination, will produce that new creativeRays, 553:the creative imagination, will produce that new creative activity which will bring "the new heavensRays, 553:definite bearing upon our subject: This intense creative activity falls into two parts: ARays, 553:itself - mostly unconsciously. The major creative agents are the intelligentsia of the race. ARays, 554:an analogous or paralleling unity, unanimity and creative activity of separative and hateful evil.Rays, 558:ray) he can work with the quality and the creative aspect of all the rays, though ever retaining aRays, 558:Purpose The Ray of Love-Wisdom The Ray of Active Creative Intelligence Rays of Attribute: The RayRays, 559:kingdom in nature, and therefore to the fourth Creative Hierarchy. During the long, long cycle ofRays, 559:out. A cycle of lives upon the third Ray of Creative Intelligence (as I prefer to call it) alwaysRays, 560:trained mind capable of illumination, and great creative ability. In the Aryan race, which from theRays, 561:(lying untold ages ahead) there will appear a creative synthesis of all these three Rays of Aspect.Rays, 561:center - of the livingness, the quality and the creative potency of all the rays. These are factsRays, 562:becomes increasingly a constructive and creative agent in the ashram. It is this which necessitatesRays, 567:the true nature of the minor rays, in their creative aspect and as expressions of the quality ofRays, 572:of its energy into the throat or into the higher creative center; this ray is therefore setting inRays, 572:setting in motion a period of tremendous creative activity, both on the material plane through theRays, 572:be the appearance of a cycle of entirely new creative art. This creative urge will take forms whichRays, 572:of a cycle of entirely new creative art. This creative urge will take forms which will express theRays, 572:engaged on an even larger scale in the field of creative art. Devotion to objects will eventuallyRays, 573:those new regimes and organized modes of creative activity which will demonstrate the newRays, 574:and to demonstrate the first stage of a truly creative life. As far as the individual initiate isRays, 574:of spirit and matter at the commencement of His creative work. The two aspects of the mind (theRays, 575:relationship with them, and to make his life creative in many ways. All these factors are embryonicRays, 582:to the need of the time or to their intended creative aspects. Later, as the disciple prepares forRays, 587:Buddhas of Activity. These three Buddhas are the creative Agents of the planetary Logos and areRays, 593:planes of our conscious planetary life, is the creative agent and the form-building factor which
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