File:Krishna saga.jpg

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Artist
Anonymous (Indian)
Description
English: "The painting is divided into nine separate panels, each of which is a complete composition and could have been an independent picture. The artist seems to have followed the mural tradition practiced in both temples and palaces, in which the stories are similarly depicted in individual panels. This is the case with the painted wall segments from Chamba preserved in the National Museum, New Delhi. There seems to be no particular order, chronological or otherwise, in the distribution of the various episodes from Krishna's life. Beginning from the top left and moving horizontally, the themes can be identified as follows: dalliance of Radha and Krishna; Krishna steals the clothes of the bathing cowgirls; Krishna tied to the mortar in the twin Arjuna tree incident; Krishna destroys the horse-demon Keshi; Krishna slays the calf-demon Dheruka; Krishna quells the forest fire; infant Krishna kills the ogress Putana; the submission of Brahma; and a prince or poet pays obeisance to the enthroned Krishna."
Date between circa 1800 and circa 1850
date QS:P571,+1850-00-00T00:00:00Z/7,P1319,+1800-00-00T00:00:00Z/9,P1326,+1850-00-00T00:00:00Z/9,P1480,Q5727902
institution QS:P195,Q210081
Accession number
W.908
References Episodes from the Life of Krishna
Source/Photographer [1]
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Other versions Derivative works of this file:  Krishna saga Keshi.jpg

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Date/TimeThumbnailDimensionsUserComment
current08:00, 6 June 2013Thumbnail for version as of 08:00, 6 June 20131,062 × 859 (941 KB)Dharmadhyaksha (talk | contribs)Reverted to version as of 15:47, 20 September 2010. Sorry! Didnt want to overwrite.
07:58, 6 June 2013Thumbnail for version as of 07:58, 6 June 2013323 × 228 (76 KB)Cropbot (talk | contribs)upload cropped version, operated by User:Dharmadhyaksha. Summary: cropped
15:47, 20 September 2010Thumbnail for version as of 15:47, 20 September 20101,062 × 859 (941 KB)Redtigerxyz (talk | contribs){{Information |Description={{en|1="The painting is divided into nine separate panels, each of which is a complete composition and could have been an independent picture. The artist seems to have followed the mural tradition practiced in both temples and p

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