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Tales from Chaucer, by Charles Cowden Clarke, [1833], at sacred-texts.com


p. xi

To My Young Readers

I HAVE endeavoured to put these Tales, written by one of the finest poets that ever lived, into modern language and into as easy prose as I could, without at the same time destroying the poetical descriptions and strong natural expressions of the author. My object in presenting them in this new form was, first, that you might become wise and good by the example of the sweet and kind creatures you will find described in them; secondly, that you might derive improvement by the beautiful writing (for I have been careful to use the language of Chaucer whenever I thought it not too antiquated for modern and young readers); and, lastly, I hoped to excite in you an ambition to read these same stories in their original poetical dress when you shall have become so far acquainted with your own language as to understand, without much difficulty, the old and now almost forgotten terms.

I can promise those among you who possess an ear for the harmony of verse that when you come to read the compositions of this great poet you will then feel how much they have lost by being reduced to my dull prose—although I have laboured to render my narratives as much like poetical prose as I was able; and, more particularly, to give them the air of ancient writing newly dressed up. And I believe I may say that I have in

p. xii

no instance omitted to introduce a beautiful or natural thought when I could do so with ease and propriety, and without interfering with the quick progress of the story.

In the original Tales are many long discussions which you would find uninteresting at any age; and there are, also, quaint or curious expressions which would not be pleasing to your differently educated ears: these I have omitted altogether, except when I felt that they would preserve the old character of the narration, and not to be too old-fashioned to be misunderstood by you.

The following sentence from Mr. Lamb's preface to his prose tales from the plays of Shakespeare—a book every one of you should read—will explain all I would say upon the present occasion.

"Faint and imperfect images," he says, "they must be called (of the original dramas), because the beauty of his (Shakespeare's) language is too frequently destroyed by the necessity of changing many of his excellent words into words far less expressive of his true sense to make it read something like prose; and even in some places where his verse is given unaltered, as, hoping from its simple plainness, to cheat the young readers into a belief that they are reading prose, yet still, his language being transplanted from its own natural soil and wild poetic garden, it must want much of its native beauty."

May you, in reading these pages, experience half the pleasure that the writing of them has afforded

THE AUTHOR.


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Sacred Texts  Legends and Sagas  England  Index  Previous  Next 
Buy this Book on Kindle


Tales from Chaucer, by Charles Cowden Clarke, [1833], at sacred-texts.com


p. xi

To My Young Readers

I HAVE endeavoured to put these Tales, written by one of the finest poets that ever lived, into modern language and into as easy prose as I could, without at the same time destroying the poetical descriptions and strong natural expressions of the author. My object in presenting them in this new form was, first, that you might become wise and good by the example of the sweet and kind creatures you will find described in them; secondly, that you might derive improvement by the beautiful writing (for I have been careful to use the language of Chaucer whenever I thought it not too antiquated for modern and young readers); and, lastly, I hoped to excite in you an ambition to read these same stories in their original poetical dress when you shall have become so far acquainted with your own language as to understand, without much difficulty, the old and now almost forgotten terms.

I can promise those among you who possess an ear for the harmony of verse that when you come to read the compositions of this great poet you will then feel how much they have lost by being reduced to my dull prose—although I have laboured to render my narratives as much like poetical prose as I was able; and, more particularly, to give them the air of ancient writing newly dressed up. And I believe I may say that I have in

p. xii

no instance omitted to introduce a beautiful or natural thought when I could do so with ease and propriety, and without interfering with the quick progress of the story.

In the original Tales are many long discussions which you would find uninteresting at any age; and there are, also, quaint or curious expressions which would not be pleasing to your differently educated ears: these I have omitted altogether, except when I felt that they would preserve the old character of the narration, and not to be too old-fashioned to be misunderstood by you.

The following sentence from Mr. Lamb's preface to his prose tales from the plays of Shakespeare—a book every one of you should read—will explain all I would say upon the present occasion.

"Faint and imperfect images," he says, "they must be called (of the original dramas), because the beauty of his (Shakespeare's) language is too frequently destroyed by the necessity of changing many of his excellent words into words far less expressive of his true sense to make it read something like prose; and even in some places where his verse is given unaltered, as, hoping from its simple plainness, to cheat the young readers into a belief that they are reading prose, yet still, his language being transplanted from its own natural soil and wild poetic garden, it must want much of its native beauty."

May you, in reading these pages, experience half the pleasure that the writing of them has afforded

THE AUTHOR.


Next: To An Adult Reader

SIGN UP!!! CLICK HERE TO GET 52 BOOKS FREE!!

SIGN UP!! FOR BOOKS AND REGULAR ARTICLES

https://againstsatanism.com/Prices.htm

 

HOW TO DEFEAT SATANISM AND LUCIFERIANISM AND BOOST YOUR EVOLUTION THROUGH ENERGY ENHANCEMENT MEDITATION

"I have experience of many forms of meditation and practices for self improvement including: Transcendental meditation (TM) 12 years, Kriya Yoga 9 years, Sushila Buddhi Dharma (SUBUD) 7 years, and more recently the Sedona Method and the Course in Miracles.

The Energy Enhancement programme encapsulates and expands all of these systems, it is complete and no questions are left unanswered."

Jean, NUCLEAR ENGINEER

 

Energy Enhancement Level 0 Super Chi Prana, Power, Strength, Immortality

https://www.energyenhancement.org/LEVEL-Energy-Enhancement-Super-Chi-Immortality-Prana-Meditation-Course.htm

Energy Enhancement Meditation LEVEL 1 Immortality - Activate the Antahkarana! Gain Infinite Energy from the Chakras above the Head - Power UP!! Open Your Third Eye, Gain Super Samadhi Kundalini Alchemical VITRIOL Energy. Ground All Negative Energies. Access Quantum Immortality

https://www.energyenhancement.org/Level1.htm

Energy Enhancement Meditation LEVEL 2 - The Energy Enhancement Seven Step Process to Totally Remove Energy Blockages, Totally Remove All Problems, Totally Remove Negative Emotions, Heal Your DNA, Remove your Karma - OPEN YOUR LIFE!!

https://www.energyenhancement.org/Level2.htm

Energy Enhancement Meditation LEVEL 3 - Eliminate even Deeper Energy Blockages - The Removal of Strategies. Quantum Integration. The Karma Cleaning Process to Totally Eliminate All Your Karma, all your Trauma, all your Energy Blockages from All your Past Lifetimes!!

https://www.energyenhancement.org/Level3.htm

Energy Enhancement Meditation LEVEL 4 - Stop the Suck!! Heal All your Relationships!! Find Your Twin Flame!! MASTER ENERGY CONNECTIONS AND RELATIONSHIPS

https://www.energyenhancement.org/Level4.htm

 

OUR SPECIAL MEDITATION REVOLUTION OFFER!!

WE HAVE THE TECHNOLOGY

WE CAN REMOVE YOUR ENERGY BLOCKAGES, ENTITIES AND DEMONS

WE CAN RE-BUILD YOU..