Satapatha Brahmana Part II (SBE26): Fourth Kânda: IV, 6, 1. Sixth Adhyâya. First Brâhmana

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Satapatha Brahmana Part II (SBE26), Julius Eggeling tr. [1885], at sacred-texts.com

SIXTH ADHYÂYA. FIRST BRÂHMANA.

4:6:1:11. Now, the Amsu (graha), forsooth, is no other than Pragâpati: that (cup) is his (Yagña's or the

[paragraph continues] Sacrificer's) self 1, for Pragâpati is the self. Hence when they draw that (cup) they produce that self of his. Therein they lay these vital airs, according to as these vital airs, the grahas, are explained 2; and verily the sacrificer is born with his whole body in yonder world.

4:6:1:22. Where they draw that (cup), then that is (like) having a hold 3; and where they do not draw it, then that is (like) having no hold: therefore, then, he draws the Amsu.

4:6:1:33. He draws it with a vessel of udumbara wood; for that (cup) is Pragâpati, and the udumbara tree is Pragâpati's own: therefore he draws it with a vessel of udumbara wood.

4:6:1:44. He draws it with a square vessel; for there are here three worlds: these three worlds he obtains by three (corners). And Pragâpati is the fourth over and above these three worlds: thus he obtains Pragâpati by the fourth (corner): therefore he draws it with a square vessel.

4:6:1:55. Silently he takes up the pressing-stone; silently he throws down the Soma-plants (amsu); silently he pours water thereon; silently raising (the stone), he

p. 425

presses once; silently he offers that (libation) without drawing breath: thus he makes him (the sacrificer) to be Pragâpati.

4:6:1:66. Now there is a piece of gold in that (spoon): that he smells at. And if he either galls or scratches himself at this (sacrifice),--gold being immortal life,--he lays that immortal life into his own self.

4:6:1:77. As to this Râma Aupatasvini said, 'Let him freely breathe out and freely breathe in: if he but offers silently, thereby he makes him (the sacrificer) to be Pragâpati.'

4:6:1:88. Now there is a piece of gold in that (spoon): that he smells at. And if he either galls or scratches himself at this (sacrifice),--gold being immortal life, he lays that immortal life into his own self.

4:6:1:99. As to this Budila Âsvatarâsvi said, 'Let him draw it after merely raising (the stone), and let him not press; for they do press for other deities: thus he does different from what he does for other deities; and in that he raises (the stone) thereby indeed the pressing takes place for him.'

4:6:1:1010. As to this Yâgñavalkya said, 'Nay, let him press: "The unpressed Soma delighted not the mighty Indra, nor the outpressed draughts without prayer," thus spake the Rishi (Rig-veda VII, 26, I). For no other deity does he strike but once: thus he does different from what he does for other deities,--therefore let him press!'

4:6:1:1111. Twelve heifers pregnant with their first calf are the priests' fee for this (graha). Now there are twelve months in the year, and Pragâpati is the year, and the Amsu is Pragâpati: thus he makes him (the sacrificer) to be Pragâpati.

4:6:1:1212. They have twelve embryo calves,--that makes

p. 426

twenty-four. Now there are twenty-four half-moons in the year, and Pragâpati is the year, and the Amsu is Pragâpati: thus he makes him to be Pragâpati.

4:6:1:1313. Now Kaukûsta 1 indeed gave as many as twenty-four heifers with their first calf as dakshinâs, and a bull as the twenty-fifth, and gold; and truly that is what he gave.

4:6:1:1414. This (graha) should not be drawn for every one, since this is his (Yagña's) self. It should only be drawn for one who is well known, or one who is his (the Adhvaryu's) friend, or one who, being learned in sacred lore, would acquire it by his study.

4:6:1:1515. It should be drawn at a (sacrifice with) a thousand (cows as the priests’ fee); for a thousand is everything, and this (graha) is everything. It should be drawn at (a sacrifice) where the entire property is given away, for the entire property is everything, and this (graha) is everything. It should be drawn at a Visvagit with all the Prishthas, for the Visvagit ('all-conquering') is everything, and this (cup) is everything. It should be drawn at a Vâgapeya and Râgasûya, for that is everything. It should be drawn at a sattra (sacrificial session), for the sattra means everything 2, and this (cup) means everything. These are the drawings.

Footnotes

424:1 Or body (âtman); amsu meaning the Soma-plant, and hence the body of the Soma. This graha seems to consist of imperfectly pressed Soma-plants in water. Cf. Kâty. XII, 5, 6-12. See also Sat. Br. IV, I, I, 2; Taitt. S. VI, 6, 10; Sây. on Taitt. S. I, p. 603. In the Kânva text this Brâhmana is followed by one on the Adâbhya graha, which is identified with speech.

424:2 Or, perhaps, according to as the grahas are explained as being these vital airs.

424:3 Or, like something that has a handle. The Kânva text reads,--for whomsoever they draw that (cup), his vital airs are, as it were, supplied' with a firmer hold, and, as it were, firmly established (ârambhanavattarâ iva pratishthitâ iva). And for whomsoever they do not draw it, his vital airs are, as it were, without any hold ('haltloser') and quite unrestrained (anârambhanatarâ ivâsyâyatatarâ iva prânâh).

426:1 The Kânva MISS. read 'Kaükthasta.'

426:2 Perhaps the author here means to connect sattra (satra) with the adverbs satram, satrâ, 'altogether, always,' instead of with the verb sad, to sit; but cf. IV, 6, 8, 1.

Next: IV, 6, 2. Second Brâhmana

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="fr_991">3; and where they do not draw it, then that is (like) having no hold: therefore, then, he draws the Amsu.