King Arthur - Legend of the Sword The Story of Enlightenment - by Guy Ritchie - a Movie Review by Satchidanand


I have been thinking about King Arthur Legend Of the Sword since the first trailer came out: did I like it? I LOVED IT!!! The only way I could have liked it more was if I had seen it in 3D, because--from the very first screen shots--it's geared to be viewed in 3D. I could not be happier or more impressed with Guy Ritchie. So, why is it getting such bad reviews and supposedly bombing?

Another Great - Greatest - Movie Blacklisted - Why?

I did want to briefly discuss the importance of this logo. It's a crown, sure, but it's also an "A" for Arthur and a "V" for Satanic Vortigern, demonstrating how a "V" can be an upside-down "A," It is of course the Hexagram symbolising Male power - the A, and female power - the V usually called Solomon's Seal. In other words, how Satanic Vortigern, who is not a legitimate ruler, can appear to be the power of the crown, but is really just a perversion of power and what government rule is supposed to be.

I think there's an easy explanation: look at what happened to Spectre. Spectre, the last James Bond film, exposed the Satanic New World Order, and King Arthur is exposing the satanic and occult ties in Hollywood and politics; who owns the box office and media outlets reporting on the box office?

The same Satanic people being exposed by King Arthur, not only for their own active participation in the occult, but for supporting Hillary Clinton and her participation in the occult as a witch going to Hollywood rituals every month from Mena..

Remember, when Ritchie and company made this film about two years ago, - delayed because this movie celebrates righteous rule - it was expected that Clinton would be the next president (or even that Obama would find a way to just stay in office). and there would still be people, like myself, yelling about Hillary's father, Hugh Rodham, who took over the Chicago mob after Al Capone, Benghazi.

The one trillion dollar per year cocaine trafficking at Mena Arkensaw, The 69 Billion Dollar Pay for Play Clinton Foundation Slush fund, taking 98% of all Haiti Donations, Child Trafficking in Haiti, the 150 million dollar Uranium One scandal received from Putin, and all the crimes she has committed and broken, and wanting her to be brought to justice.

The use of the Fake Steele Trump dossier by Obama and Obama pushing, against the law in a manner worse than Nixon Watergate, pushing the stay-behind networks, the Comey FBI and the Rosenstein Department of Justice, to use this Fake Dossier to persuade the FISA court to surveil, Snowden NSA record ALL Trumps and friends conversations, as Presidential Candidate and then as PRESIDENT, so that he could be stopped from becoming President, and then removed from office, against the will of the people.

Hours and hours before anyone could have known, a couple of news outlets began picking up that King Arthur was "bombing," and then everyone started reporting it; There wasn't as much money being pulled in because so many early showings (Thursday evening, and 3D showings) were being canceled before the film even began playing; when I got to my theater, three shows of King Arthur had all ready sold out. So, why would they cancel early showings?

Why would Satanic film companies want to pan the films they themselves spent over a hundred million dollars to make? There are actually several advantages. One, there are things more important than money, like influence.

If people, such as myself, think that there really are satanic influences at work in Weinstein Hollywood and pedophile politics, then a film "exposing" such things bombing makes me look like an idiot for believing such things; in other words, rather than the film validating my view, I'm being isolated and (according to satanists) will be far less likely to discuss such matters with others because a film talking about the same topics bombed.

Additionally, King Arthur is a challenge about the good which has been accomplished by white males, who are the number one enemies of Satanists; why support a film that supports your enemy?

Then, good and reasonable reader, you are like, "If you are right, then why would they even make the film to begin with?" and the answer to that is simple: propaganda. If you like a film that didn't do well at the box office, then you, too, are a loser, and who wants to be a loser?

This is the same reason you will never see the satanic presstitute media reporting that a candidate they favor for an election is losing or trailing behind in the Fake polls, no one--they believe--is going to get out and support a loser, because people want to be associated with winners.

So by spreading the word that a film isn't good, they think it will make you ashamed that you wanted to see it; if you do go and see it, and liked it, and tell others about it, those others are going to think you're crazy and have horrible taste, because the professional critics are telling everyone it's horrible. To the Satanic, it is horrible; it's awful! They don't want to see anyone butting up against their treasured thesis's of how reality works and what power is all about.

For at least two reasons: first, it would take longer for word of mouth about how good it is to get around if people weren't getting to see it Thursday, then go to work/school Friday and talk it up, so people would only have the "professional" critics (read: "Satanic") to go by when deciding if they would go see it.

Second, cutting out Thursday showings meant slashing profit-possibility: those are the die-hard fans, and it's easier to get into see a film Thursday night, then Friday day (and, in this case, papers were all ready reporting that it was "bombing" before the Friday movie audiences even made it to the theater!); not to mention that 3D viewing opportunities have also been slashed.

So, just like with Spectre, they hope to drastically reduce the number of people going to see King Arthur so they can say, "See? No one supports white males anymore, and no one wants to see an exertion of male authority, so we're not going back that way," and that's a narrative they can use to continue feeding us propaganda movies.

I love the female Power and Beauty of Wonder Woman where even with all that female warrior beauty, Wonder Woman fails to remove War from the World. This is a constant Satanic Meme as the Satanists commissioned the Frankfurt School to "Take the Heart of us" - Theodore Adorno, "Movies to suicide by" as "Music to suicide by" of "no matter what you do, you can not win"

"I used to want to save the world. This beautiful place. But I knew so little then. It is a land of beauty and wonder, worth cherishing in every way. But the closer you get, the more you see the great darkness simmering within. And mankind? Mankind is another story altogether." - Wonderwoman

Like, "Mankind is a Virus?" Agent Smith the Possessing Demon of the Matrix - following Austerity Satanists Sarpi, Giammaria Ortes, and Malthus who said the carrying capacity of the Earth is one billion people - yet with science we now have nine billion people.

Which of course is just not true - otherwise this World would be already destroyed. The fight continues!!

King Arthur - The Story of Enlightenment - a Movie Review by Satchidanand

To become King. To be crowned by God. You have to remove all your Energy Blockages, You have to be Enlightened.

The Kundalini Energy Level of this movie us Amazing which marks it as a Spiritual Movie, infused by Ascended Masters like the Christ.

All the way through I had a smile on my face provoked by the Energy, but also by the genius of Guy Ritchie whose film path has grown from Lock Stock to Revolver to Sherlock Holmes - always telling a profound story as subtext.

Arthur is no different - just Better!!

The Best Yet!!

So, this is the story of the son of King Uther Pendragon.

King Uther Pendragon has been killed by his brother Vortigern after waging war on the Kingdom with allies, Evil Mages like Mordred.

Like Hitler's Night of the Long Knives when he got his Satanic SS to murder the people who had put him in power, Vortigern then killed all the Mages, genocided all the race of Mages!!

Arthur saw Vortigern kill his father but the trauma of this event has created an energy blockage which later in life is going to stop him wielding the full power of the sword, Excalibur.

His mother and father killed in front of him, Arthur floats downstream in a boat, like Moses in the bullrushes, and is taken in by a kindly prostitute and brought up in a Bordello on a bridge in old Londinium.

We see how Arthur quickly learns martial arts and becomes leader of a gang in old Londinium, bribing the police, stealing, looking after all his dependents, building up vast deposits of his ill-gotten gains - until he gets unto trouble by stealing from Viking friends of King Vortigern.

Arthur is captured and like all young men in the Kingdom, made to try to pull Sword from Stone.

He succeeds but the power of the Sword, - created from Merlin's Mage Staff of Power and representing the spine carrying a full charge of Kundalini Energy from the Center of the Earth, out into the infinity of Chakras above the Head, connecting to the Soul and to God - is too much for him and for his trauma, PTSD, energy blockage.

The energy of Excalibur like the spine carrying a full charge of Kundalini Energy from the Center of the Earth, out into the infinity of Chakras above the Head to the Soul and to God hits and energises all his energy blockages and he is laid out, fainting due to the Power of the Sword and his old trauma energy blockages.


Captured by Vortigern, recognised as the son of King Uther Pendragon, his home destroyed, all his gang displaced, captured or killed, Vortigern has created a vast spectacle to execute Arthur in front of the people so as to cement his power.


He escapes and so begins the saga of how he becomes Enlightened, removes all his traumas, all his energy blockages in order to wield the full power of Excalibur, kill the evil Vortigern, and take back his Kingdom.

The price he pays for this is almost too much so just like in the Lord of the Rings the Lady of the Lake, like Galadriel says, "If you do not take this Sword, this will be the result"

The Sword is always sheathed in the Land like in John Boorman's version of Excalibur because the Land, the Earth, and all the people on it are Nothing if not connected to the Soul and to God.

As in the connection between the ionosphere and earth. Whenever clouds touch the ionosphere, a charge of electricity flows and creates a hurricane or a thunder storm. Lightning is the result.

Space lasers can create this pathway, create hurricanes, and steer them by moving the laser. (See Geostorm)

This is the same projected action Tesla was inventing with his Wardenclyffe Tower. Create the pathway between the ionosphere and the tower. Trillions of watts flow to the top of the tower to be distributed freely to humanity.



Like Zeus or Theos or God connecting in to the crown chakra in Enlightenment.

The power of Enlightenment is the Power of the Soul, of Dharma, of Conscience, of Empathy, higher than the Intellect it is of Intuition, of Knowing, of Right Rule, of Goodness of Godness - it is in Alignment with the Will of God!!"

"Not my will but Thy Will be Done!!"- Jesus

Like Satanic Lord Blackwood in Guy Ritchie's Sherlock Holmes who sacrifices six virgins on Satanic Altars at different points in London in order to gain his Satanic Power, Vortigern must sacrifice that which he loves best, his beautiful and well loved wife and his Daughter, in order to gain sufficient demonic power to kill King Uther Pendragon and later, Arthur.

Yes, after Lord Blackwood in Sherlock Holmes by Richie, it's Satanic Human Sacrifice again!!

Like Macbeth we see how it is the Satanic three witches which foment, initiate, the trouble which ends in Macbeth's totalitarian rule.

This is the nub of the teaching of Shakespeare's Macbeth.

It is Satanism, the Satanic three Witches, which creates Macbeth!!

Human Sacrifice and slavery was the core of all the Pagan Religions prior to Christ, at the Satanic heart of Babylon, the Roman Empire, the Germanic and Norse Viking Religions and the Venetian Empire ending in the Anglo-American Empire.

"The Roman Empire never ended" - Philip K Dick

At Trumps orders, 5000 pedophiles have been incarcerated so far and hundreds of children found in cages have been released prior to torture and murder by Satanic Sacrifice. We see that World political control comes from Satanic pedophilia and Human Sacrifice. Twenty-Seven million victims of Human trafficking for female sex slave prostitutes, children for pedophilia and torture human sacrifice, organ harvesting..


Recent Thailand Picture


From Plato's Republic "But I hear someone exclaiming that the concealment of wickedness is often difficult; to which I answer, Nothing great is easy. Nevertheless, the argument indicates this, if we would be happy, to be the path along which we should proceed. With a view to concealment we will establish secret societies and political clubs so we can all make unlawful gains and not be punished.

"Still I hear a voice saying that the gods cannot be deceived, neither can they be compelled. But what if there are no gods? or, suppose them to have no care of human things –why in either case should we mind about concealment? Adeimantus argued.

“Ritual human sacrifices and soothing entreaties and by offerings.” - This is the definition of Satanism!!

(Worldwide Modern Ritual human sacrifices is exposed by United Nations and Clinton-Podesta Foundation Child Trafficking, Spirit Cooking, Pizzagate, and the Trump prosecution of 10,000 pedophiles currently in process.

Trump's friend - attempted assassination Senator Scalise - was in charge of this program - the Trump prosecution of 10,000 pedophiles.

Not just child sex slaves but child sacrifice, dissolving the bodies in acid.)

"And even if there are gods, and they do care about us, yet we know of them only from tradition and the genealogies of the poets; and these are the very persons who say that they may be influenced and turned by “Ritual human sacrifices and soothing entreaties and by offerings.”

” … if we are unjust, we shall keep the gains, and by our sinning and Ritual human sacrifices, and Ritual human sacrifices and sinning, the gods will be propitiated, and we shall not be punished.”


In the previous King Arthur (2004) with Clive Owen and Keira Knightley we saw that Arthur and his Knights were as Young boys torn from their families as slave tributes by the Romans.

Dracula Untold fought the Ottoman Empire - now the Turkish Caliphate - because it demanded his young son as he himself and thousands of young boys yearly had been taken to feed its Satanic, mind controlled. Janissary Slave Army.

So we see the sacrifice of Vortigern's wives resulting in his transmutation into a Satanic Warrior who kills King Uther Pendragon and is just about to kill Arthur until Arthur removes his final energy Blockage by receiving the vision of the death of his parents at the hands of Vortigern.

Satchi's Movie Reviews





Why is his name "Arthur?" It's a rather unique name, it certainly applies to him (when we think of an "Arthur," we tend to think of "King Arthur" first), so, of all names (especially the choice of something more exotic, like "Uther" or "Vortigern") why is he named "Arthur?" Because "Arthur" was the "author" of his own free will and destiny. Arthur became the author of the new peace after the chaos, Arthur was the author of the deeds of Excalibur, Arthur was the author of humility and chivalry and, therefore, masculinity, and it's because we need to be reminded of all these things that Guy Ritchie has made this film, told this tale and conjured to our minds--like the nightmares Arthur suffers--the history of why we have treasured the values we have, and chosen the decisions we did, and why we avoided so many different paths, those which were taken by Vortigern.

One of the easiest ways to begin an analysis of a film is to ask yourself what other films it reminds you of; what scenes invoked memories of films where you had seen such scenes previously, and then, once identified, ask yourself, why would the film makers "quote" those films within their own movie?

For example, in Dracula Untold, there is the issue of a multitude of boys being sold into slavery - to become Janissary soldiers of the Ottoman Empire - from Transylvania from one kingdom into another. And in the other King Arthur Arthur was a young boy given into slavery to the Roman Empire to become one of their Knights.

And we see the same in King Arthur Legend of the Sword; why? Children symbolize the future, and because men symbolize the active principle, men (young men and men of child-bearing age) tend to symbolize the (future of the) economy; these boys being sold into slavery, then, is the economy and the future of the economy being sold into slavery.

How? The European Union, symbolized by the Vikings there to conduct trade with Vortigern. This is symbolized by Lucy who was beaten because women symbolize "the motherland," and especially since she was Arthur's adopted mother (with the other women) what the Viking does to Lucy, has--according to Ritchie--been done to England herself. At the end, when the Vikings face Arthur, Arthur says this: you face all of England, not just a single person or government official.

The story of Arthur pulling Excalibur from the stone is for men what Cinderella trying on the glass slipper is for women: a coming of age, a sign of soul identity and collective wish fulfillment. So, we can say that there is an element which reminds us of Cinderella (Kenneth Branaugh) which was recently released, and juxtaposing the two stories, we see the similarities and how they have addressed issues of soul identity and traditional, gender identity.

On another vibe, we can also see Clint Eastwood's film Unforgiven being cited when a prostitute is beaten up (Lucy in King Arthur). Ritchie adds an important commentary with this scene, because Arthur handles the injuries in this film, whereas, in Unforgiven, the prostitutes (Strawberry Alice) hired men (i.e., prostituted the men to be assassins) and only got death, whereas they could have had wages to provide for themselves instead.


Is Arthur acting like a trade union in going after the Viking and getting Lucy's wages? No, he's acting like a man who is grateful to the woman who helped raise him, and that's the huge difference Ritchie wants us to notice, because in standing up for Lucy, Arthur fulfills his duty as a man, that is, protecting those he cares for, because they, too, have cared for him. Ritchie, then, provides us with a radically different example of "exchange" than that the Left cites for British Superagent Karl Marx who wrote Das Kapital from his office in London and market exchange; this "exchange" is based on love, not on someone getting what they believe to be is their "fair share."

Then again, we also see Ursula and The Little Mermaid, but we can see this as an example of the prince having to choose between the the good woman (Ariel) and the bad woman (Ursula). With Vortigern, when we see him with a good woman, like his wife, he kills her for something bad (power), and with Maggie, he imprisons her because she has threatened his power, then he kills his daughter for even more power.

The Viking who abused Lucy, of course, was a guest of Vortigern, so we see how abuse spreads through shady business deals (the selling of the young boys) as in the current Human Trafficking for Sex Slave prostitutes, Pedophilia Torture Sex Human Sacrifice Rituals and Organ Harvesting.

The Prince in The Little Mermaid isn't just choosing the woman he'll marry, but how he is going to become for the rest of his life; Ariel, on the other hand, has chosen the prince to be the man she wants to give herself to, to make of herself an offering to make him be a better man than what he would be otherwise (more on this below with The Mage).

Another film I think Ritchie cites is Anthropoid, which you probably didn't see, but you should, It was excellent. Just as there is a betrayal in Anthropoid, so, too, does the blonde-headed Rubio betray where the cave is that the Resistance has made as their base, and everyone is killed.

There might also, however, be another vague reference in Ritchie's cameo he makes. When Arthur and the others plot assassinating Vortigern, we see Ritchie dressed all in blue for a brief second, as a man who would support "assassinating the king" and so they could use his building for Goose Fat to shoot Vortigern. Because Anthropoid is also about an elaborate assassination, we can see the two films linked; however, because Vortigern is not assassinated, Ritchie might be providing commentary that the assassination in Anthropoid didn't bring out the best in the characters (remember, Anthropoid was more of a call to arms against Obama than a historical drama); in other words, Ritchie cites Anthropoid so he can say, we could have had Vortigern die as a result of a political assassination, but that would not have brought out the strenuous sacrifices and courage Arthur had to summon to overcome Voritgern.

We've seen a lot of octopuses lately, and to at least some degree, the "sea witches" or sea nymphs with their long legs, are certainly octopus-like; so why does Ritchie do this? Well, we just saw in Guardians Of the Galaxy Vol 2 how, at the start of the film, how the conservative, pro-capitalist audience is the octopus-like creature that is being destroyed at the start of the film (the one with a hide so tough, Drax is swallowed by it to try and kill it from the inside?

Yea, that symbolizes the conservatives in America but the octopus theme has been common in all of Marvel's film because it's the symbol for HYDRA, and, of course, the symbol for the secret services terrorist organizations in the James Bond film Spectre (and we will discuss the sea witch in greater depth below).

So, by listing and connecting one film to other films you are reminded of as you watch it, a public dialogue and debate is created, with the film you are watching at the moment bridging issues concerning film makers which you have been smart enough to pick up on.

And now for something completely different. In the poster above, Arthur wears a jacket which we see him wearing two different times in the film. The first time we see him wear it, we've watched the montage of Arthur growing up and watching Lucy and the other women get beaten up by various "customers," and then, when Arthur watches, he gets beat up too, except for the last time, when a man goes to strike Arthur after beating up Lucy and Arthur stops the man's hand in mid-strike; Arthur wears this coat pictured above when he does that, and again after the scene when Vortigern's men have killed all the members of the Resistance in the cave.

Why? Because Ritchie uses costume to tie-in these two scenes: the man beating the woman is like Vortigern beating England, and in both situations, it's Arthur who is there to stop it.

Why? The jacket tells us. There is sheep skin fur lining both the neck and wrists: sheep nearly always, not always, but nearly always, symbolize sacrifice (because that is the animal most often associated with sacrifice) and we know that the hands symbolize our honor (we shake hands to symbolize giving our word when we intend to honor something we have spoken) and arms symbolize our strength (not just physical strength, but strength of character, morals and values as well) and the wrists bring that together to make a unified man. The neck symbolizes that which leads us in life, like a leash.

SO, what we have, is that Arthur can only stop the beating England is receiving once he agrees to be the sacrificial lamb and lay down his life for England, but in being willing to make that sacrifice--because he's willing to put England before himself, as well as the lives of others--and because he values others above himself, he has increased his strength and honor through humility.

What about the leather of the jacket? When Uther carries little Arthur from the castle, Arthur is wrapped in a thick fur coat, then when he trains with George, we see Arthur wearing a fur vest; the fur symbolizes the animal appetites and passions (the living like an animal, rather than the son or daughter of God with an immortal soul to guard over) so Arthur slowly, through the tough lessons of life, overcomes those appetites and gains respect for himself.

The leather, then, symbolizes Arthur's toughness, his durability and tough hide (like the tough hide of the octopus in Guardians Of the Galaxy Vol 2) to take a beating but not get beaten down. The way Arthur holds the sword means he has taken the honor of Excalibur, the duty and solemn duty it represents, to his heart and he not only cherishes that, but it's a part of him as well.

What Guy Ritchie and company have successfully accomplished with this film is nothing short of complete political, spiritual and social manifestos of the past, present and future.

Yes, it's that good, and it's that deep. Ritchie masters the art of the minimal brushstroke, yet there is nothing minimal about any of the scenes,characters or what their purpose is.

So, if I'm right, why has the film received such bad reviews? All those critics are satanics, and they recognize that Ritchie has outlined a response to every single pathetic argument they have made over the last eight or nine years.

King Arthur: Legend Of the Sword is all ready the best film of 2017, and perhaps of Ritchie's career; the only way for him to top this,... is to make another film.

We'll divide the film up into two parts: the political and the spiritual, but we'll begin with what the political and spiritual come from, and that which is Ritchie's main focus: power.


There is a legend in the Church dating from medieval times: when a bell is rung, it drives demons away; for Vortigern, when he rings the bell, it summons the demon.

As I say several times throughout this post, women are the dominant power holders in this film, because women are the key to the mysteries of existence and power which men seek, if not because they desire power (like Vortigern) then because they must stop that evil power (like Arthur).

Ritchie makes it clear, then, that women are the chess players, and men the pawns, and yet, there is nothing traditionally feminist about any of these women in the film. As we know, feminists want to be equal to men and do everything that men do, while shunning everything women have done traditionally.

Ritchie makes the argument--one with which I completely agree--that women are not men's equals, but are far superior (but there are still prostitutes, mind you). When women are at their best, they are like the Lady of the Lake, but when women are at their worst, they are like the sea witches.

To invoke another metaphor, The Mage is like a potter at the spinning wheel: sculpting and modeling the clay of Arthur's heart and soul, so that he becomes the man he's meant to become.

This is the great mystery and duty of being a woman, but she cannot accomplish her mission if she herself has not been put on that same potter's wheel and subjected herself to being modeled as well.

There is a common thread binding all three women in these images: authenticity.

In this film, the Lady of the Lake is the standard of authenticity; why? Water. Water, as we know, symbolizes the first stage of reflection (and we will discuss this more below with the hand coming out of the muddy water) and the Lady of the Lake offers that as the step towards the authentic self Arthur has to find within.

But, you point out dear reader, the sea witches are also in water; if water is a stage of reflection, why doesn't Vortigern "reflect" on what he's doing and be like Arthur? And that is a most excellent point. The water in which the sea witches swim does indeed symbolize the first stages of reflection, and if Vortigern were a "normal" human being, he would have realized, when he first killed his wife and floated her corpse on the water as a sacrifice to that Unholy Trinity, that what he did was morally outrageous to God; but he didn't, did he?
The instrument of reflection was there (the water), but Vortigern is a man who abuses and perverts, so instead of using the water to reflect upon what he had done, he used the water to achieve what he wanted to do. In other words, Vortigern intentionally uses his free will to enslave himself to sin, whereas Arthur intentionally uses his free will to free himself from sin, and all of us, without exception, are one man or the other, and if we are not actively trying to free ourselves, we use our free will to allow sin to enslave us because we refuse to fight against it (and a post such as this is the "reflection" pointing out what you are doing or not doing, so you don't have an excuse).

We can validate this interpretation when The Mage and the Resistance go to save Arthur from being beheaded publicly by Vortigern: The Mage can control the animals and she's able to agitate (for lack of a better word) Vortigern because he is mostly animal, not human, and he's allowed himself to become mostly animal because of sin eating away at his soul, which is what separates humans from animals.

The Mage is the one who shakes Arthur out of his spiritual slumber and directs him upon the path he should take, specifically, the path of the darklands when she insists he goes and confronts his darkest fears.

The Mage is not equal to the Lady of the Lake, but The Mage is definitely on the path towards her personal self-fulfillment, which is why she's a good teacher for Arthur: what she has received, she freely gives to him, and that is exactly the kind of relationship God intended between man and woman, with man providing for woman's earthly existence, and woman preparing man for his heavenly existence.

First of all, please remember: historical films are never, ever, never, ever, never, EVER NEVER EVER about history: they are ALWAYS about the here and the now.

There are no exceptions.

Even documentaries are about us today, using the vocabulary of by-gone events to describe that which we are going through now.

To continue on with regularly scheduled broadcasting,... There are a couple of rules about power which Ritchie lays out for us. First, power comes from women. Second, the dark side of our humanity will be drawn to that power. Third, power is meant to be used. Let's start with the women.


The scene where the Lady of the Lake reaches out to Arthur from the mud is definitely my favorite in the film, and that's saying a lot, because Ritchie fills the narrative to brimming with fantastic visuals to illustrate his characters and events.

The darklands basically show us Arthur's soul as it is in that particular moment in time: the wolves, the giant bat picking him up and flying him around (like the flying dinosaurs in Jurassic World, another film we are meant to consider) and Arthur walking through the landscape, all act as a miniature summary of all that has happened in the film, and all that is still yet to come.

The wolves chasing Arthur are the Blackleg soldiers employed by Voritgern (after The Mage gives Arthur the snake venom, and he goes to the castle, he can see the soldiers with only their glowing eyes, meaning they have sold their souls) and the giant bats are first Vortigern when he's ready to behead Arthur publicly, then the Resistance steals Arthur from Vortigern, just as another bat steals Arthur from the one who first picked him up.

But what about the sirens in the trees? Their camouflaged appearance represents how Arthur doesn't know how to interpret the women he encounters during this story: Maggie the Maid (Annabelle Wallis), The Mage and even the Lady of the Lake (I think there were three tree sirens).

Remember, when the Lady of the Lake first pulls Arthur under the water, he fights and resists her because he doesn't know what is happening. The reason Arthur has a difficult time trusting these women is because he has only known prostitutes his whole life, and Forests generally symbolize sin because forests are the opposite of a garden: a garden has been cultivated and the weeds have been pulled so specific fruits of the harvest can be gathered at the right time; in a forest, animals roam freely, nothing is cultivated, and everything grows wild, like sin and appetites in our souls.

So when Arthur goes to the darklands, The Mage tells him he should be afraid because he's going to see the state of his soul, and that is nothing any of us want to see (unless we are saints). But, looking into Arthur's own soul is a test: if Arthur can't look at what he himself has done with his sins, then he isn't going to be able to watch his father sacrifice his life for the sake of his son because Arthur isn't in a position to understand what love is, and this leads us to what happens with the Lady of the Lake.

Arthur throws Excalibur into the lake after his friend Back Lack dies and their assassination attempt on Vortigern fails. Why does Arthur want to get rid of Excalibur? Because he is reminded in Back Lack's death of the death of his father. Reminded of the sacrifice his Father made fo him to escape.

In his heart, all he sees is that his best friend died and left his son an orphan because of Arthur as he too was left an orphan on the death of his father, and Arthur rejects this; why?
Again, because Arthur doesn't know what real love is (Arthur's soul is still weak) and because Arthur thinks Back Lack did it to protect Arthur, not for England (and in his love for his friend, sure, Back Lack was willing to sacrifice himself, but also for England as a part of the Resistance).

In other words, Arthur only focuses on the burden of sacrifice, not the love prompting the sacrifice.

This is why Arthur keeps looking away in his dreams when his father puts the sword in his back: the back symbolizes our burdens we take upon ourselves (whereas our shoulders symbolize the burdens placed upon us by others/the world in general), and that Uther puts the sword in his back demonstrates Uther's love for Arthur and for England.

This is why Arthur wants to put the sword as far away from himself as possible: Arthur isn't capable (at this point) of the love required to make that kind of sacrifice for others (and no one is unless we go through the spiritual training, which Arthur is about to) and, unwittingly, Arthur throws Excalibur into the lake--not because he knows the Lady of the Lake will retrieve it--rather, because he's self-reflecting on what is going to be required of Arthur, and that he isn't sufficient for the task at hand. This is where the hand coming out of the muddy water is such a stroke of genius.

After Arthur throws Excalibur into the water, he runs; why? Because that is what Arthur has been doing the whole life: he's been running with no idea of where he is going. Then he falls in the mud. When a character falls, it's a sign of Original Sin catching up with them: their spirit is willing (or maybe not) but the flesh is weak and we can't do that which we know we ought to do (or sometimes we don't even know what we should do) but because of our fallen nature, we aren't capable of summoning the strength of character necessary to discipline ourselves to be able to carry out the task required of us.

Arthur falls in the mud (center image) because he is weak; he is weak because he doesn't know Love. He doesn't know Love because he doesn't know God and he doesn't know God because he's not accepting the role, duty and purpose God has given Arthur to come to know, trust and depend upon God. This is where the Lady Of the Lake comes into the narrative.

Who is "The Lady Of the Lake?" As we said above, the lake is going to symbolize the "reflective" stage of our understanding; women, we know, symbolize the "motherland" because they give birth to us, but since there is no "land" for the Lady Of the Lake, we can say, rather, that she symbolizes the person we choose to become, because we think, we rationalize and examine our options in relation to our values, priorities and desires, and then, we reach a conclusion, we draw up for ourselves a course of action we are going to follow to turn us into the person we need and want to become; so, the Lady Of the Lake gives birth to us when we have used our free will to adopt a course of action for our lives and we are "reborn" of action and intent.

Arthur throws Excalibur into the lake, she takes it as Arthur runs away, falls down in the mud, and then she takes Arthur's arm by reaching up from the mud in which Arthur has fallen; why? Because this is what God does. It's through the trials, but also the purpose which God designs for each and every single one of us that we overcome the mud, because the mud is the earth from which we are created, but we are destined for a spiritual home, which is why the Lady of the Lake pulls him through the mud into the clear, pure water, and where she can speak to him of his destiny.

The passage from the mud to the clear water, then, is another metaphor Ritchie employs to illustrate for us the transforming grace Arthur experiences in the film, from being a soiled character to a divinely appointed king. He can't see her face, because even though she's revealing things about the future to him, the future is always a mystery and it can't be completely known, and neither can her identity (the face is the seat of our identity, which is why Arthur can't see her face).

So, what does she tell him? Exactly what he needed to hear: they didn't die for you, Arthur, they died for England, and if you fail England, you fail them.

In a way, it takes pressure off of Arthur to know that Back Lack (Lack of backbone or willpower) didn't die for him, because that would be survivor's guilt, however, Arthur is a fighter, and this is what she tells him: you are a fighter, so fight. Don't fight yourself, fight Vortigern.

He takes the sword back up and yells, because these are birthing pains, THE PRIMAL SCREAM, he is going through the birthing process because when he pulled Excalibur from the stone, he wasn't a necessarily willing participant; but now, he knows what is at stake, what is required of him, what it's going to cost, and he has aligned his free will with the cause.

That's why, the next scene, we see Wet Stick pouring water over Arthur: sure, he's washing up, but it's also a baptism, a washing of his free will so that Arthur will "go with the flow" of the events taking place, which are the riots spreading throughout the country George mentions. If Arthur hadn't have had that "break-down" in his heart of where he was going and why, Arthur would have made the wrong decisions.

Power is a "trigger word" for all interpreting themselves today as minorities: those identifying as minorities firmly believe (or at least attempt to make everyone believe they believe) that white, heterosexual men (especially if they are of Christian, and of the middle or upper class) define, exert and, thereby, abuse power to protect themselves, their power base (such as their economic standing through business) and maintain the self-identified minorities in ignorance and poverty. We'll come back to this claim in a moment, because Ritchie deals with this in the film in the person of Vortigern; however, what's imminently more interesting is the way which Ritchie redefines power with an element that would NEVER be mentioned by the Left: sacrifice.


What do we make of The Mage? Let's start with some generalities. Generally speaking, the Mages (as a people) symbolize those in power in the Church (rather like the elves in The Hobbit and Lord Of the Rings) because they are spiritual beings who have first and foremost, "power over themselves" (we will discuss further down below Mordred and what happened to the relationship between Mages and Men).

The Mage who comes to help Arthur has power over herself because she has disciplined herself as we discipline ourselves with Energy Enhancement Meditation. How do we know this? First, she has power over the animals, or someone (like Vortigern) who is becoming an animal because of being enslaved to sin, of cutting himself off from his soul (in other words, Vortigern in on the same level as dogs and birds).

Secondly, she doesn't use the power she has for her own advancement, rather, she arrives to aide Arthur rid England of Vortigern, then blends into the background; in other words, restoring the Pendragons to the throne was her reward, nothing personal.

So, she has mastered those appetites within her (and we also receive validation for this interpretation because she wants to take Arthur to the darklands, which means she has been through her own darklands: she knows why Arthur should be scared because she was scared).

Then there is also the scene when The Mage and Resistance fighters have saved Arthur from beheading and, in an effort to win her trust and favor, Arthur turns around on his horse to look at her, and asks her if she is falling for him the way he's falling for her; she promptly causes the horse to buck and knock him to the ground; why? Because the horse symbolizes the Holy Spirit, which is a vehicle for the Will Of God: what God wants done and accomplished in the world, the Holy Spirit accomplishes (this is why the Lady of the Lake says, "Trust the Mage," because the Lady of the Lake is a spokesperson for the Holy Spirit.
We see The Mage on a horse, because what she has done was the Will of God, and what she is going to go and do now is also the Will of God).

Arthur was abusing the purpose of the horse by riding on it backwards, just as he was abusing the help of The Mage by insinuating that she was attracted to him when she was there to do the serious political work of overcoming Vortigern.

Had The Mage been a lesser woman, she might have fallen for Arthur's pathetic flirtation, but, alas, she did not because of her wisdom (we often see her wearing a blue cape denoting wisdom) and her will power (developed through discipline).

What about her eyes changing colors? Ah, this is a good one, and a brilliant trick on Ritchie's part, certainly one I didn't anticipate. Her eyes take on the look of animal eyes because she has conquered her own animal instincts. The eyes are the windows of the soul, so that which we see in a person's eyes, we also can see as reflecting their souls (for example, after Vortigern kills Catia and floats her body in the water as an offering for more power, Vortigern's eyes turn white; why? White is the color of faith, innocence, purity; when a person is alive with these virtues, God lives within them; when a person is dead to these virtues, the person's soul is dead - like a zombie - because God will not live in a temple that has banned God. Because a corpse turns white in death, we know can see that Vorigern's soul has died when he killed Catia; in other words, he didn't kill his daughter, Vortigern killed himself, because of his slavery to power and determination to rule).

The Mage has conquered all animal appetites assaulting her soul; she's not without sin, but she isn't enslaved to sin and isn't weakened by her sin the way Arthur of the other characters are.

So, what becomes of The Mage? The center image tells us. There is no sun. There is no buildings, nor people. There is no food nor water. It looks like a storm is coming. There is the faint outline of mountains in the background. Even though this isn't exactly a desert in the strictest of senses, it is compared to the scenes we have just witnessed at Camelot. In other words, she's retreating away from the world, back into the interior world of the self to continue perfecting her soul and gaining ever greater power over herself, so, when the next crisis happens, she will be an even greater help.

The bottom image, with The Mage standing on the stone bridge behind Arthur, is my second favorite shot of the whole film. Bridges act symbolically just as they act practically: to get a character from one place to another. In this scene, Excalibur in the foreground, Arthur isn't using its power, because he's blocking it. As The Mage walks across the bridge, her purpose, we can literally see, is to get Arthur from where he is, to where he needs to be, which is using Excalibur to its full potential. "Everybody looks away. But it's the duty of the king to not look away," she tells Arthur, knowing that something bothers him but he's intentionally blocking it; what? The sword in his father's back.

Uther allowed the sword to fall into his back because Uther was the "living stone" spoken of in 1 Peter 2:5, that we must be fortified by our strength, courage, faith and hope in God, and Uther demonstrated all these things, which is why he was targeted by his brother to be taken out, because that is exactly what has happened in America over the past nine years now with the Satanists taking out everyone who stands against them.

Arthur has to become this living stone like his father, so, when Arthur sees his father, and Arthur doesn't look away, and the sword starts to fall into Uther's back but Arthur stops it, it's because NOW, finally, Arthur understands: Uther is alive because of his sacrifice, not dead because of it, and if Arthur wants to be the man he was meant to be, Arthur will have to do the same. But because Excalibur is a phallic symbol, this applies to every man, not just the kings of a bygone era.

For Ritchie, "power" does not exist without sacrifice," something you surely will not hear in any public political discourse today. Why not? Because the Satanists are certain that power is always attained so one doesn't have to make personal sacrifices; personal sacrifices are bad, personal suffering is bad (which is why Vortigern can't believe that Arthur "blossomed" growing up on the streets instead of shriveling up because he wasn't privileged) and which Satanists would want to make personal sacrifices?

Instead, for thousands of years, Satanists have made human sacrifices of their victims. The vast industry of human trafficking of childen and women for organ harvesting sacrifices, prostitution sex slavery sacrifices and pedophile sex, torture and child sacrifice has twenty-seven millions of victims with one million children being kidnapped and going missing every year in the USA alone!!

Satanists would be willing to argue that they themselves have been "sacrificed" in not being allowed to achieve or hold power themselves, but as for making sacrifices for the good of others, are they are concerned about is themselves, which brings us to the problem Ritchie illustrates for us.

Satanists, like Vortigern, are perfectly willing to accept the sacrifices of others, and to sacrifice others, for their own gain, but not willing to make sacrifices in their own lives; why not?

They have no love.

They have no gratitude.

They have no soul.



In the very top image is an illustration of Ursula, the Octopus witch who is likely the source of inspiration for the water nymph to whom Vortigern goes for power and favors; in the second image down from the top is Vortigern sending the murdered body of his daughter Catia into the water so he can have an increase in his powers; in the third image down is one of three faces we see of the water nymph granting Vortigern power and the fourth image down is the long,.... "eel"-like legs/arms of the water nymph greeting Vortigern as she comes to talk with him. The last image, very bottom, is Arthur being pulled into the water by the Lady of the Lake and her "garlands" (for lack of a better description) embracing him.

Let's discuss the Satanic Ritual Sacrifice angle of "the price" Vortigern is willing to pay for the power he wants (i.e. the power he believes he "needs"). First of all, this is, in base, monetary terms, an "exchange," the exchanging of the blood of a loved one for whatever it is you want, and on Vortigern's wish list, there is nothing but power (we'll discuss Vortigern and power below). Why would this siren want the blood of a loved one? Well, there is good reason to at least suspect that Ritchie is calling upon real life for this scene: anyone who knows anything about the Illuminati has at least heard of the blood sacrifice they require for a person to become super-famous and rich.

Just type in "celebrities and blood sacrifices" and you will hit on a wealth of researched case histories at least suggesting that the occult references (like all the triangles and occult magic we see in Vortigern's tower) are, in fact, communicating to us about the very real ties of Hollywood to the occult and the links of power and domination of satanic influences (and even if you don't believe that, we cannot deny that there has an on-going and organized public effort by the Satanists to use satanic spells against Donald Trump, the same way we see Vortigern using spells against Uther and Arthur).

So, in terms of "exchange" and what value does the blood of a loved one hold for a demon like this siren, we have our answer: when you are willing to kill someone you love for something you want more, then you give your soul to corruption and evil gains that power of you.

As most everyone reading this post probably knows, a human never enters into satanic pact with a demon and maintains control over events: you give yourself to that demon. Just as Ursula in The Little Mermaid knows how to keep Ariel's soul forever because the prince really wants to hear the singing again, so the sea witch in King Arthur knows Vortigern.

There might be the illusion of power and control, however, that is fleeting, and this is why the sea witches have three faces, rather like Dante's Satan in the Ninth circle of The Inferno: the two attractive faces are the faces we want to see of power and wealth, but the ugly, old, bloated and evil face of the third woman who does the talking and granting the power is the truth behind the illusion.

This brings us to our discussion about the water nymph demon pictured above. Now, in Excalibur (the 1981 film), Uther Pendragon, the father of Arthur in that film, makes an exchange with Merlin that, if he can lay with Igrayne for one night (she's the wife of one of his barons) Uther agrees to give Merlin "the fruit" of that union (the infant Arthur). In 1981, what people in the US were selling their souls for--sex, and specifically, taboo sex (homosexuality), symbolized by Uther's adultery--was the plague bringing ruin and devastation to the country and it could be expressed in one word: AIDS (1981 was the first year HIV was clinically observed, and the film Excalibur predicted some kind plague was coming).

Today, however, Ritchie has traded in the desired sex for power and satanic activity, and given the revelations from WikiLeaks about presidential candidate Hillary Clinton, as well as former aides coming out and attesting that she is, in fact, a practicing witch who goes to monthly satanic meetings in Los Angeles, (and, when King Arthur Legend Of the Sword began production, everyone, especially in Hollywood, assumed Clinton would be the next president), we cannot help but think of Vortigern as a metaphor of Hillary Clinton.

Why is this important? Because, as the leader goes, so goes the country, and leaders getting entangled with satanism means the country will, as well (just look at the public "binding spell" against Trump, and Hillary isn't even the leader; think how bad it would have gotten if she had made it into the White House).

The problem is, a lot of people think they would never fall for Satanism, however, they also aren't actively working on being good Christians, either. If you aren't fighting the spiritual battle, you are losing the spiritual battle, which means the devil is winning.

Ritchie provides us with the perfect visual to illustrate exactly why the spiritual battle is imperative: the "eel-like" arms of the sea-witches, vs. the garlands of the Lady of the Lake.
Either we will be drawn into evil with those long, snake-ish arms, pressing us to the bosom of damnation, or we will be drawn into the mystery of ourselves for our eternal salvation and that of others as well.

When Arthur returns with a year's wages for Lucy, after she has been beaten by a Viking, what does Arthur say? "You have been taking care of me for much longer than what I have taken care of you," and it's clear that Arthur is grateful to them for what care they offered to him when he was orphaned; likewise, at the end, Arthur insures that his friends and members of the Resistance who aided him to rid England of Vortigern are knighted and rewarded even before he himself is knighted as king.

Gratitude is the expression of love, and people who reveal themselves to have no gratitude, are people who have no love prompting them to express gratitude; that's why satanists are so selfish, they think only of themselves, and we see that in the character of Vortigern who will sacrifice anyone and everyone for what he wants. Sacrifice is such an important element to the philosophy of power that one of the most important "locations" of the film takes place at the alter of sacrifice itself.


This is the most important place in the film, even more so than the place where Uther died and Arthur pulled the sword: the alter. This is where life begins, this is where life ends, when life is properly lived. In the darklands, Arthur has to take the sword to the alter to see what happened and, as we see in the top image, the runes on the sword light up; why? It's the Truth, the Light of Truth and it's infusing Arthur, compared to the bottom image and Vortigern shrouded in the darkness of lies and corruption.

We have all ready discussed at least a little why it's so important that Arthur sees Uther and what Uther does with the sword, but there are at least two other reasons why this is important: first, it was an act of love, and it reveals to Arthur the incredible love his father had for his son, as well as the people placed in his care, his kingdom. Second, it provides Arthur with a role model, someone to whom Arthur can look up and model his actions after so Arthur in his turn can become a role model for all other men (which is where chivalry comes from).

The great irony about sacrifice, which Ritchie points out so wondrously, is what Christ said: "For whoever wants to save his life will lose it, but whoever loses his life for my sake will find it. What will it profit a man if he gains the whole world yet profits his soul?" (Matthew 16: 25-6).

We see both Arthur and Vortigern at the alter of sacrifice, each man there with a completely different intent: Vortigern to gain control over the world, and Arthur to stop him. Excalibur, in the top image, lights up with the truth of the mystical words engraved upon it, just as the Truth is engraved upon our hearts. In the bottom image, we see Vortigern wanting to spread the same darkness throughout the world which has consumed his own soul, and bring death to all.

What's the deciding factor in this struggle? Women. It's the Lady Of the Lake who directs Arthur in the right direction, and it's The Mage willing to sacrifice herself (letting the guard hold a knife to her throat in George's courtyard, then letting guards take her hostage to Vortigern's castle when Arthur has thrown Excalibur away).

On a slightly different note, the fireball we see Vortigern holding in this bottom image, as well as one we had seen him holding in the trailers, might be a reference to the 1994 Russian film Burnt By the Sun; why? The film takes place in 1936, the USSR, and a young man who had been recruited by the KGB (one way to interpret "recruited" is "forced") to go oversees and do their dirty spy work for them, leaving behind the woman he loved; in moves Sergey, a colonel who had his eye on the young woman (yes, it's very much like the story of David and Bathsheba, but it's taking place under Stalin). The young man returns to exact revenge on Sergey for turning him into a monster and stealing the woman he loved, and he does it with the same means that Sergey forced him into the KGB to begin with. The point is, at the start of the film, then at the end, there is this free-floating fireball, just like the one Vortigern holds, wandering around, a kind of symbol for Stalin himself and the Orwellian universe he created, but also a universe with no love, no equality, no justice, and absolutely no hope for anyone.
The fireball, like the lighting of the candle symbolise the fire at the top of the tower - The Enochian Watchtower of Dr Dee symbolises a cut in the infinite Antahkarana column of energy ending in God. There the bodiless Magician lives in his own private universe.

The Lord of the Rings has the Eye of Sauron at the top of a tower.


The Pyramid of the Illuminati has an eye at its top.


Why would Ritchie (IF, this is, indeed, what he is doing) reference Burnt By the Sun? (Reference to Icarus) Burnt By the Sun is obviously an anti no-soul-communist anti-satanist film, and Vortigern is a Satanic figure (at least he's representative of Satanists in the US wanting to overhaul the republic and capitalist system we have had with a form of neo-no-soul-communism), and Ritchie wants to warn those who have, perchance, seen Burnt By the Sun, that Voritgern is, indeed, an extension of Satanist Joseph Stalin.

What about those who haven't seen Burnt By the Sun? Well, look down at the next caption, and therein lies your answer.

No one in this film has power unless it comes to them from a woman. Who does Vortigern sacrifice to gain power? His wife, then his daughter. To whom does he make the sacrifice? The three sea witches (nymphs, whatever they are).

Bad women turn men bad with raw, ruthless and bloodthirsty power, like Vortigern.

The good women, however, turn men into being good men with strength and courage because good women teach the men how to sacrifice themselves for others, as did Jesus Christ.

Uther Pendragon gets the power of Excalibur from the Lady Of the Lake, who bound it to the Pendragon line, and who infuses Arthur with "clear sight" of what must be done (this is why Arthur's eyes burn blue and white with the sword, he can see clearly, whereas Vortigern's eyes turn zombie no-soul white after he has killed his daughter because Vortigern has gone completely blind, and so when he turns into the demons, pictured above, the demon has no eyes at all).

The Mage (never once referred to as "Guinevere,") is the ONLY PERSON who calls the sword Excalibur, and then only one time in the whole film; why? This is where Guy Ritchie and company are absolutely pure geniuses!


Again, we know the runes used in the film for Excalibur were invented just for the film; why would Ritchie incorporate a language into the film that no one, at any point in time in history, would be able to read?

Because he wants to point out that there is another language we are choosing not to read, the language of the references, the symbols and the theories Ritchie employs to make his point (this doesn't apply to you and I, dear reader, because we are doing exactly what film makers like Ritchie hope we will do).

This might seem a bit backwards, however, the only time we see "Merlin" in the film (and he's a major player in the King Arthur universe, so that we never actually see his face is rather a big deal) is when, in the image above, he has engraved said runes upon the blade edge of the sword.

What does this prove? Merlin is an unknowable entity at this point in the story, just as the runes are unknowable, so they have been "marginalized" because the average viewer won't know what to make of them; when we marginalize something, it's because we don't understand it, like a child who is learning to read skipping over a word they have not yet learned.

The evidence of something like the runes points to the margins as places of legitimate discourse we might otherwise miss. Consider, for example, in Sherlock, when Sherlock (Benedict Cumberbatch) has taken Watson (Martin Freeman) for a night of bar crawling, and they are totally drunk, but get called in on a case; Sherlock gets on hands and knees to look for evidence, but falls asleep, and Watson turns to the client and says, "He's cluing for looks,..." just as we have to reverse the words "cluing" and "looks" to make sense of the sentence, so we have to do the same interpretations in Sherlock to understand what the series is about, and so it is with the runes here.

Now, look, once more, at this amazing bottom image: the sword sets fire to itself, in this deep water. Why? The Lady of the Lake has taken hold of it; what does that have to do with the price of tea in China? She, as in female, has the spiritual power to cause the sword to both purge and damn. In other words, the symbolism of fire is that fire either cleanses and purges us of sin, or fire damns us because we refuse to be cleansed.

The saying, "Fight fire with fire," means that you fight the fires of damnation with the fires of purgation, and at the end of the film, when Arthur says, "You created me, and for that, I bless you," this is exactly what Arthur is talking about: I would not have been purged and cleansed of my weaknesses, if you hadn't threatened to curse the whole land with your own damned soul, Vortigern, and so I am saved because I have seen how you have cursed yourself.

And this is the case for the whole of humanity.

We all have our demons.

We all have our soul path to purge ourselves of those demons.

Thus Arthur says, "YOU MAKE SENSE OF THE DEVIL!!"

Because every bad thing is our test.

We pass the test by overcoming each and every one of our demons.

By overcoming the Devil Himself!!

But back to the Lady of the Lake: we know this is a sacramental scene because of the water. Water is the first stage of contemplation and self-reflection; heretofore, Arthur has been acting, but it isn't until Back Lack is killed, and Blue orphaned that Arthur reflects on what is really going on, and it's the "passive" power of the Lady of the Lake who imparts that to Arthur and sets his soul on fire.

Without the sacramental nature of this scene, Arthur would just be a thug, a street boy trying to make a name for himself and get out of the gutter by slitting someone's throat. Because of this scene, Arthur is, in essence, being charged with doing God's justice on earth, just as Arthur charges his knights (in the written stories) with doing the King's Justice in the realm.

At least one reason why this is so important is because we see the same type of runes written on the face and body of Princess Ahmanet (Sofia Boutella) for The Mummy starring Tom Cruise and Annabelle Wallis. With both The Mummy and King Arthur, there is a canon, an established, written chronicle of what happened to who and why, but then, there are these two "unknowable" languages practically subverting that canon; why? In literary theory, the "canon" is seen as patriarchal, that is, of men, by men and for men.

Excalibur, like any other great sword, is a phallic symbol; what does that mean? A phallic symbol is meant to invoke the male penis, especially when erect. Why? I wish you hadn't have asked that, because this is where it gets difficult, but that's okay, we will get through this together. The answer depends upon who you ask, and because feminists and other minorities ("minority" being anyone identifying themselves as such, but specifically those who are not male, are not white, not Christian, are not heterosexual or part of the 1% economically) have dominated the discussion of phallic symbols now for decades, and has been completely colored in their own self-interest with no on challenging their self-absorbed, dramatic interpretations of the "white man's narcissism."
Until now,....


Why do Satanists hate white men so much?

Why the Simps?

Why Family Guy?

Why the Last Jedi?

Because all of these movies lampoon, laugh at and denigrate men.

Because all these movies create hero, Wonder Women, superheroes who do not marry men. Who do not have children. Who marry the State and live alone in misery.

Because Cloward and Piven want to attack and destroy the family and thus destroy the basis of modern civilisation..

Because Cloward and Piven is the Soros, Agenda 21, United Nations, Julian Huxley, David Rockefeller plan to bring down society and create a neo-feudalist, slave World. The Prison Planet.

As we have discussed before, it's because they are the dominant "power holders" in today's society; just as Jews were "power holders" in Hitler's Germany, the Satanists specialize in targeting an isolating "an enemy" then rallying their allies against that enemy and turning them into scapegoats.

If you don't believe me, check out this story about the newest video game coming out, Far Cry, which has white, Christian men who eat red meat and read the Bible, as the villains of the game.

Is the "power" which white men hold in Western European civilization the real threat to those who see themselves as minorities? No. The real threat which white, heterosexual men pose to the Satanists are their values. And anyone (male or female, white, black, red, yellow or mixed) can hold these same values (and many do) and fight for those values, but they are traditionally associated with white men because they are both distinctly European and Christian.

What are those values? The basis of Chivalry, masculinity and the Christian faith.

Just as these three things, inter-related, have built up European and American civilization, so they have kept order and brought peace and prosperity to all peaceably participating within America. America is the richest society ever made - for All of the people.

Western society is the only society yet to have liberated women.

See Bismark on women, "cooking, children, church".

Or Iran where women fighting against patriarchal Islamic Slave Society - They have slave blocks Now!! in Libya - reject the Sexual slave symbol of the Shaddur, the Hijab, the Veil over the Face which they are forced by law to wear!!

This is the very reason the Satanists hates it so much: the Christian society of masculine rule outlaws anything that will bring it down, which will corrode society and its members.

Satanic Miniorities, on the other hand, want these perversions, like Drugs, perverted sex, broken families, and so blame white Christians on "hatred" and "intolerance," "racism" and "greed" so they can unleash the devil through their sins and call it "social justice."

Just as Vortigern unleashes evil in King Arthur: Legend Of the Sword, the Satanists wants to do the exact same thing.

How? The "false phallus."

In the images above, we first see Arthur with Excalibur, the "good phallus," the good ruler with his power he uses for the greatest good of society. It doesn't always work out that way, but this provides the most peace and the greatest benefits for the greatest number of people.

Below King Arthur, we see Princess Ahmanet from The Mummy; what does she hold in her right hand? A knife, a jagged, nasty knife she uses to cut the throat of her father, the pharaoh, and then of anyone else who gets in her way.

Below that is Diana Prince (Gal Gadot) in Wonder Woman; what's she doing? Pulling out a sword that is destined for a great warrior,.... or is she really re-writing history to make a woman seem like a better "King Arthur" than King Arthur?

In the bottom image, we see Emma Cullen using her rifle (which, in this film, is a phallic symbol) to "take revenge" on the industrialist Bogue (symbolizing capitalism). We also just saw Gamora (Zoe Saldana) in Guardians Of the Galaxy Vol 2 use a sword (phallic symbol) to kill a giant octopus symbolizing capitalism.

It's possible we will be seeing something similar in Pirates Of the Caribbean 5 with the trident of Poseidon. What I am saying here, is that phallic symbols are going to be important for the next year, and if they are being "cut off" that is a clear case of castration - of Satanic Cybelle and Adonis - the Satanic State Religion of the Roman Empire.

However, we have the issue of The Mage and her being only one of two people to say, "Excalibur."If Excalibur is a phallic symbol, and The Mage names it, then did she say a dirty word? No, she spoke a most powerful word, and it's because of who she is that she did say it.

The Mage, the Lady Of the Lake and Merlin, are the only ones who understand what Excalibur is.

Excalibur represents the column of energy connecting us with God.

Through the Earth through the spine which is an antenna, through the seven chakras of the body, through the infinite chakras above the head, with God.

So when they say Excalibur they are saying the destiny of the sword because they understand and accept mystery (even though Merlin and Lady of the Lake don't, but hypothetically speaking); the can know the "essence" of power because they know their own essence and they have power over themselves because they are connected with God.

The only other person to say, "Excalibur" is Mercier, the Lord who taunts Arthur just before Arthur is going to be beheaded and wants Arthur to "Raise Excalibur and show people the power!" Mercier validates what I have just written, because--like his lord, Vortigern--Mercier has only a base and vulgar understanding of what power, and even "being" itself, is, which is why he sees Excalibur as a weapon of power.

No one in the Resistance, for example, utters the name Excalibur because they respect it and accept that which is greater than themselves: the mystery of the sword. The acceptance of mystery is why feminists have (intentionally) ignored the most important attribute of femininity: passivity.


The scene of Arthur pulling the sword initially, and then using it when he and the other men are surrounded by Blacklegs is quite similar: it's meant to demonstrate how far Arthur has come. Whereas Arthur had to be saved by the Resistance when he pulled the sword (beheading), he was able to save his new friends because he learned how to wield Excalibur (or was learning).

Please note that Arthur has to use both hands to pull out Excalibur; why? Because hands symbolize our strength and our honor, and it's going to take all of Arthur to be worthy of Excalibur. But it also has to be Arthur's will to pull out Excalibur: he can't fake this, if he's going to pull it out, he has to pull it out.

At Arthur's "beheading," why doesn't Arthur take Excalibur when Mercier eggs him on and mocks him? For at least two reasons. First, Arthur knows that Vortigern is right: He will kill the women if he does anything. Arthur doesn't know how to use the power and he could look like an idiot if he passes out again. And then it's not Arthur's style. Arthur can be the "alpha male" with nothing but his wits and fists, and he would rather do that than be saved by something he hasn't earned, so we can call it "self-respect."

This also strengthens the Christian theme in the film because Jesus Christ refused to summon power when being tried before Pilate and Herod. As we have discussed before, it's appropriate that Vortigern wanted to "behead" Arthur because the leader of a country (or group) is known as "the head of government," so Vortigern cutting off Arthur's head is Vortigern saying, "You are not the head of government, I am the head." This leads us to the third image down.

In the third image, the Black Legs are congregating outside of George's courtyard, ready to bust down the door. You may have to click on it to get a better look, but please note the statue there in the middle of them; it has no head. This isn't a careless detail, this is a brilliant commentary. Just as I said above about the "head of government," at this point, we can see that the Black Legs are on the side that doesn't have a "head of government," everyone all ready knows by this point that Vortigern has lost, and Arthur will win. So, why are they still fighting for Vortigern? That's where "Black Legs" comes into play. We know that "black" symbolizes death, and in this case, it's bad death: the Black Leg soldiers are dead to the spiritual life and the spiritual world, but alive to the world and worldly pleasures, or even alive to the call to serve evil.

This is where David Beckham's cameo becomes so important (he's pictured below, in the middle image, if you don't recall his cameo). You may or may not recall his cameo in The Man From UNCLE: when Illya (Armie Hammer) and Oleg (his Russian handler) watch slides and read the report on Napoleon Solo, the man operating the slide machine gets a slide of Solo turned upside-down; we then see the slide operator saying, "Sorry, comrade, sorry," and that was David Beckham; so Beckham's cameo as a communist in the KGB is not paralleling his cameo as a communist Black Leg in King Arthur, because just as the slide operator was revealing who Solo was, so in King Arthur, his instructions on how to remove the sword reveal who the true king is.

This is a terribly important scene for The Mage, like the Black Legs' attack on the cave where the Resistance hide later in the film. The soldier in the bottom image, holding a knife to her neck is not threatening her; she's allowing him to do this because it's the only way to nudge Arthur to accept what Excalibur is and can do, that is, allow Excalibur to help Arthur win back the kingdom.

The Mage has summoned all those birds flying at the top of the court yard, she is in no danger whatsoever, but the kingdom is in danger if Arthur doesn't accept his destiny and learn how to use Excalibur, so The Mage allows herself to be threatened so Arthur will be desperate.

We saw something similar to this in the animated film Hotel Transylvania 2, when the little vampire, Dennis, hasn't gotten his fangs yet, and it's not until his little friend is threatened that he let's his fangs out and fights back.

Then, later at the cave, The Mage also lets the Black Legs take her hostage because she knows the crisis Arthur goes through with tossing the sword into the lake, but to The Mage, Arthur tosses away the kingdom, so she forces a crisis, quite artfully.

All people today, even though we are All saints and saints-in-training, have failed to appreciate passivity.

It's not the state of doing nothing, or doing little; passivity is the state of receiving, always receiving, and the receiving of the very greatest gifts. When the author of Psalm 46 wrote, "Be still and know that I am the Lord your God," he encouraged his reader to enter into this state of passivity of connection with God through the column of energy and the chakras above the head.

Because, unless we know God, we can't know ourselves; if we don't know ourselves, we can't know others, and if we don't know others, we do not know how to give to them that which we have received, because we cannot give that which we have not first received and unless we have entered into a state of perfect passivity, we haven't received anything.

Unless we give to others, we have not fulfilled our destiny, because it is in giving that we give God to others and simultaneously as well, receive Him again ourselves when we first perfected receiving Him in passivity. It's not a circular argument, rather, it's cyclical, and the spiral gets smaller and smaller the deeper one goes, because one always goes deeper into their soul which is the destination of us all; why?

Because that is where God is.



Who, historically, speaking, were the guards who would break in at night and tear people out of their rooms and take them off some place to die? The Nazis. Given that Ritchie's last film, The Man From UNCLE featured plenty of Nazis, this isn't a far stretch for us to make at all. So why does Ritchie mention these Nazi soldiers again in King Arthur, via the Black Legs? The image at the bottom. The mask goes flying off one of the Black Legs when Arthur hits him with Excalibur, and we see the empty mask like horror film, Jason. This is the mask we have seen a number of times over the years: the motorcycle helmets of the bad guys in Mission Impossible Rogue Nation, or the other motorcycle guys in Zoolander 2, and the Storm Troopers in Star Wars, and the nasty bandaged and cut faces of the "nurses" in Silent Hill Revelation. The lack of identity. No-soul zombie Satanists.

As we started this article off with the name of "Arthur," there are hardly more men's names which summon such epic proportions as that of "Arthur," and that's his individuality, his own being, his personhood and inheritance from God.

And each one of us have it.

The fight against Satanism is largely one of fighting to keep our identity and not be forced to become like everyone else (which is what Guardians Of the Galaxy wants to happen to you).
Don't become a mask, become yourself and who God intended you to be, because the devil intends you to be his slave for eternity.

This is why men are not favored when it comes to receiving, they are, by nature, active.
Why? Because that is how God created them. They are of the earth and are meant to be active, and so that is why God created woman out of spirit, to supply the man with that which he did not have, and to "help" him get to heaven (feminism's despised "help mate").

Again, without woman, man can't get to heaven (which is why the serpent tempted Eve instead of tempting Adam) and without The Mage, Arthur can't realize who he is and what he's supposed to do. It's not that Arthur trades Excalibur for The Mage's release from Vortigern because The Mage has power that Arthur needs, rather, it's because she has the knowledge to guide him and convey to him what he is going to experience that he needs because Excalibur is nothing if the one yielding it can't see and isn't strong enough to control that power, and that power, comes from women, which leads us now, finally, to the political.



This is the part which had me desperate and worried, but Ritchie--as always--does an incredible job with it. There seem to be two animals The Mage is most associated with: the birds and snakes. The birds symbolize the Holy Spirit, because it was as a dove that the Holy Spirit descended upon Christ at His Baptism. The snake, and any cold-blooded reptile for that matter, always symbolizes Original Sin, because it symbolises the Enochian Watchtower with the head of the snake as the eye of Sauron, the ball of fire, the flame of the candle.

Do you remember the film (or the book) The Lion, the Witch and the Wardrobe? Two brothers and two sisters were transported to Narnia, and one brother, Edmond, betrayed his brother and sisters to the White Witch, but was saved by the lion Aslan. In another adventure, Prince Caspian, the siblings are desperate to contact Aslan for help but can't, so the eldest, Peter, begins summoning the White Witch to help him, and it's Edmond who steps in and saves Peter from making that terrible mistake; why? Because Edmond had "tasted" the venom of the White Witch and knew she was nothing but poison. Even though Peter, Susan and Lucy had not fallen to her spell, because Edmond had experience with her, he was wiser than his siblings and knew better; the same is true with The Mage.

Because the Mage, like All saints, has overcome the venom of Original Sin within her soul she is able to give that (in a mysterious way) to Arthur to immunise him, to protect him. We know the neck symbolizes that which leads and guides us (like a leash around us) so that the snake bites Arthur's neck means that nothing evil is going to lead/guide Arthur, because he can "see" the evil which most of us are blind to (by a special gift of The Mage).

For example, when Arthur goes to Vortigern's castle, he can see the evil in the soldiers because they have given themselves to evil. Saints can do this, us mere mortals can't because evil is still too much a part of our own nature, we haven't been able to sufficiently overcome it within so that we can recognize it outside of ourselves.

When The Mage takes on the form of that big snake which Vortigern chops in half with Excalibur, and gets the sword stuck in the wood column, that was awesome: we could say The Mage "speaks" to Excalibur, and the ringing noise of the sword when it's within the wood is the sword "speaking back" to her. In essence, what The Mage says to Excalibur is, I am the embodiment of Original Sin (the snake) and you are the sword of Truth, which is my enemy," and the sword acts accordingly.

Does The Mage lie to the sword? No, just as she and Arthur know that once Vortigern gets the sword stuck in the wood, so The Mage also knows the sword will guide Vortigern to kill the snake (the sword doesn't have a soul or can think on its own, but it is a power that is compelled by the nature of power itself to act accordingly).

What about the wood column? That's interesting because, historically speaking--even though this isn't specifically a historical film--in the medieval ages, there would not have been wood columns, especially at the throne of a king; it would have been marble, or maybe some other stone, if for no other reason than the architectural necessity of the stone strong enough to uphold the weight of the rest of the building. So, the wood of the column was chosen for some other reason,... but what? The Cross. The Cross is the "altar" of sacrifice par excellence, and it was where it was decreed that evil was dead and God had triumphed, so it is, too, with Excalibur, Arthur and Vortigern.

At the start of the film, when we see Uther and The Mages in peace, before Mordred grabbed all power for himself, and used it against others, we can see a balance between political rulers--symbolized by Uther--and the Church (the "power" of The Mages).

The balance has been gravely upset because of greed on both sides of the balance in today's world. Again, films coming out this year (2017-2018) were expecting that Hillary Clinton would be president because that's what the Satanists told us: so the usurper, Vortigern, who has destroyed the peace, degraded the crown and killed for power, can easily be taken as either Obama or Hillary (I know I believed there was a good chance Obama wouldn't leave office).

Likewise, the Satanists , gravitating towards the occult (openly) with the public staging of the satanic curse to "bind" Trump, clearly has sided with Vortigern, that the ends justify the means, even though it means losing their soul,... But that leaves us with a last lesson from Arthur.


The three top images are from the opening scene of the film. The pyramid, with the satanic ritual taking place inside, invokes the Illuminati and the New World Order.

The second image down is of Mordred. Now, here comes the begging question: wasn't Mordred the son of Arthur and his half-sister Morgana? Yes, but it's possible that--IF the series goes on--Morgana will name Mordred after THIS Mordred in the opening scene. The "head dress" Mordred wears in this scene invokes the same kind of pagan/satanic ritual that takes place in A Cure For Wellness (which I haven't see yet, but did see this clip, and that film takes place largely in the hospital where Hitler recovered form his wounds of World War I; that was just a joke, Hitler never recovered from those wounds).

What about those massive elephants being used? We know that elephants are not native to Britain, where the story takes place, they are, however, native to Africa; what has come to Britain, out of Africa, that has grown unnaturally large and is wrecking destruction on Britain? Wahhabi Jihadi Immigrants.

Now, when we see the eyes of the elephants, we know they are being possessed by Mordred, because once Uther kills Mordred, the eyes are calmed and the power over them ceases, so they are not inherently bad, but they are being controlled by the Secret Services who are inherently bad, and are using them specifically so destroy Britain and the USA as well as Iraq and Libya where women are now being sold as sex slaves and unwilling organ donors on the block; sound familiar?

The bottom image is of Vortigern after he has floated Catia's dead body on the water in sacrifice to the sea witches for increased powers to destroy Arthur. Two words about Catia. First, I think her name is meant to invoke Katia (Hannah Ware) from Hitman: Agent 47. Katia is an advanced agent and has taken care of herself since she was just a child, whereas Catia is like one of the little birds in a cage surrounding her in her bedroom: she is totally helpless and irresponsible, as well as not being disciplined (when she's still young, Vortigern tells her to put a bird back inside it's cage and she doesn't; she doesn't respect him, why should she?).

But this is our second point: Catia, in not being able to do anything, is as helpless as one of those little birds in a cage, i.e., someone raised in a socialist system, because they can't provide for themselves, and they can't make it on their own, whereas Katia (Hitman Agent 47) has survived on the streets since she was a child.

Why, when Vortigern gets ready to kill Back Lack, and he has been listening to Blue's lies, does Vortigern say, he always wished he had a boy? Because Vortigern is disillusioned. Vortigern thinks it would have been nice to have a son, but Vortigern couldn't even manage his daughter, (remember, men symbolize the economy, but women symbolize the mother land and its culture) so because Vortigern is a socialist/communist figure--remember those sleazy deals he makes with the Vikings?--he can't have a son because Vortigern wants to control the motherland, he doesn't want an active economy; The Mage, however, when she appears as a snake and causes Vortigern to realize that he isn't powerful enough to defeat Arthur, demonstrates that he can't handle a real woman.

Final Blockage released. Wielding the full power of the Sword Excalibur. Arther kills Vortigern.

Arthur thanks Vortigern for being the Perfect Enemy of Carlos Castaneda and Shaman Don Juan!!

Arthur says to Vortigern as he kills him, "You make sense of the Devil!!"!

Without Vortigern he could never have had the incentive to remove all his energy blockages to be able to wield the full power of the Sword.

Channeling the power of the Sword representing Kundalini Energy connection with God, Arthur destroys Vortigern's evil demonic power stored in his Tower which comes tumbling down.

Just as the Eye of Sauron in the Tower Dol Guldur comes tumbling down at the end of the Lord of the Rings

The Tower of Mordred exists under a Pyramid on the back of a hundred meter Elepant until King Uther Pendragon cuts him down with Excalibur.

The Tower represents the Satanic Watchtower which all evil Satanic, Luciferian, Magicians create in order to live forever. Dr Dee and Aleister Crowley used the Enochian Keys to create a column of Energy. "Twixt Heaven and Earth" but cut the top of the Tower off from God, then installed themselves at the top of the Tower as Dark Gods symbolised by a single eye.

A pyramid tops an Obelisc Tower so thus the Eye in the Pyramid.

Just like you have the Eye in the Pyramid on the Dollar bill symbolising the Satanic American Empire,

The Satanic Kaballah learned at the fountain of Guy Ritchies Divorced Wife, Madonna, and much research is the source of the knowledge informing Revolver - the removal of sub-personality demons, Sherlock Holmes - the defeat of human ritual sacrifice Lord Blackwood, and King Arthur.

Living forever in the chakras above the Head in Private Universes as Dark Gods, dependent for energy on their earthly Slaves whom they vampirise, forever - unless the slaves can gain the Psychic Knowledge to break free using Energy Enhancement Meditation to remove all your energy blockages at

The Antahkarana, the Watchtowers of Dee's Enochian Keys and the Chakras above the Head - The Perverted Kundalini Key's-Enochian-Keys-CHAKRAS-ABOVE-THE-HEAD.htm

Just before Vortigern dies, Arthur blesses him and demonstrates his appreciation, that the terrible threat Vortigern posed to England summoned Arthur from the streets and brothel to the forefront of the struggle; likewise, should we be grateful that the evil revealing itself has caused us to unite, dig deeper into our faith, and stand firmly against such advances. Let us never forget, however, what has happened, and how it became so successful.

I could NOT be happier with King Arthur Legend Of the Sword and I absolutely can't wait to watch it again. There is a ton of stuff I didn't cover there was just an over-abundance of incredible material, as usual with Ritchie.



Energy Enhancement Salt, Sulphur, Mercury and VITRIOL from the TABULA SMARAGDINA HERMETIS

ALCHEMICAL VITRIOL - Visita Interiora Terrae Rectificando Invenies Occultem Lapidem

So, This picture, plain and insignificant in appearance,
Concealeth a great and important thing.
Yea, it containeth a secret of the kind
That is the greatest treasure in the world.
For what on this earth is deemed more excellent
Than to be a Lord who ever reeketh with gold,
And hath also a healthy body,
Fresh and hale all his life long,
Until the predestined time
That cannot be overstepped by any creature.

"This picture", is the diagram above of the TABULA SMARAGDINA HERMETIS.

It is the globe of the earth centered on the Philosopher Stone Center of the Earth of Kundalini Chakra.

It is very far from plain and insignificant as we have seen from our previous article on the Alchemical Emerald Tablet of Hermes Trismegistus. It conceals and contains a great and important secret because mere words cannot describe or explain it.

Only disciplined meditation using the Alchemical formula of VITRIOL which we teach in Energy Enhancement Level one Initiation three - as seen in the diagram, will reveal it.

When we use these guided meditations - described as Alchemical Formulae, as above from VITRIOL and as described in the Emerald Tablet of Energy Enhancement Level One Initiation Two and Four it will indeed be a great treasure more valuable than gold, because it is the Elixir that gives us life until our predestined time.

What is the relationship between the Golden Elixir (Not the metal Gold or Fools Gold but the Alchemical Golden Elixir of the Holy Spirit) and VITRIOL? This is the answer.

All this, as I have stated, clearly
Is contained within this figure.
Three separate shields are to be seen,
And on them are eagle, lion, and free star.

These are the three alchemical principles of Mercury, Sulfur and Salt. Note that they are linked by a chain, that is they are a differentiated unity. Meditate upon this using the Energy Enhancement meditation Initiations.

And painted in their very midst
Artfully stands an imperial globe.
Heaven and Earth in like manner
Are also placed herein intentionally,

The imperial globe is the alchemical symbol for VITRIOL. Heaven and Earth are identified with it, because they are the great polarity of the Above and the Below and this polarity is part of the secret. It is highly significant that we are told they are placed here intentionally. And have you noticed the word "artfully"? Alchemy is called the "Art". Therefore the imperial globe of VITRIOL is placed here by "art", that is by deliberate alchemical means. We are being told the obvious. That means there is something we have completely failed to understand. It is part of the secret. Another subject taught in the Energy Enhancement meditation Initiations.




ART IS ALCHEMICAL VITRIOL - The Third Initiation of Level 1 of the Energy Enhancement Course

VITRIOL - Visita Interiora Terrae Rectificando Invenies Occultem Lapidem - See it Written behind the Female figure in the Card above.

The Art Card challenges us to look inward. The process of integration no longer needs outside influences. You must look within yourself to find the hidden treasure.

<>The Alchemical Union of Fire and Water formerly above the heads in the "Fool" Card has now moved to the center of the Art Card.

This Art card is giving instructions on how to Integrate. How to take the separated parts of the Selfish Competitive Ego. How to Transmute them. How to Purify them. How to create One-ness out of them.

The connection between fire and water, light and dark, male and female, death and rebirth is an inner process. The integration of opposites is the first step to all-encompassing unity. Opposing forces are combined into a new form of being.

This ART Card is the consummation of the process started on the Marriage of the Emperor and the Empress on the "Lovers" card. - The High Art of Transformation of Transmutation, of Purification. Because it is only the blockages which prevent the completion of the process of The Unity of Enlightenment.

This Card is giving Instructions on how to Remove and Transmute Energy Blockages as a major part of the Process of Transfiguration, of Illumination, the Aim and Purpose of the Energy Enhancement Meditation Course. To Achieve the Purpose of Illumination, of Enlightenment, Energy Enhancement uses Ancient Incredibly Powerful Techniques - VITRIOL is Only One of Them!! - To Reach that End!!

Energy Enhancement Student Report 22 March 2017

In my opinion Energy Enhancement Course is the BEST!! Only 6 weeks into the video course and I can understand life on a whole new level. There are many courses out there to take, but Energy Enhancement is the icing on the cake! You won’t need anything else after you have tasted this!! Not only do you learn very ancient techniques of clearing negative energy blockages, but you are shown step by step on how to solve these "problems" and get rid of them for good!!!

Satchi is one of the most genuine teachers out there. His mastery and skills are at the top. Anytime I have had a problem he has been there to answer my emails. His advice is unsurpassed. Before coming into EE course. I would go from healing modality to healing modality looking for the right fix. Nothing seemed to work! I would feel great for a day or so, then I would slowly sink back into my old patterns. The one thing I am learning from EE is to become a master you must first master yourself! This course will help you to do that! You find something that works and you stick with it! Period!

Trust your intuition.

Trust your higher self.

Trust your path.

With sincere devotion and time well spent you can have it all.

Anything your soul desires.

Energy Enhancement will show you how to have it all.

And between the hands outstretched towards each other
Are to be seen the symbols of metals.

The hands are another symbol of duality. So now we have: (Above + Below) + (hand + hand). Remember the 4 downward steps of the first process described in the Emerald Tablet? Also significant is the fact that the symbols of the 7 metals are between the polarity of the hands. That is because polarity is the driving mechanism of the whole scheme.

And in the circle surrounding the picture
Seven words are to be found inscribed.

We already know that the 7 words are the anagram of VITRIOL - Visita Interiora Terrae Rectificando Invenies Occultem Lapidem as it says in the TABULA SMARAGDINA HERMETIS. They are a formula for a guided visualization that takes us to a precise location in the inner landscape, the Chakra below the base chakra, Kundalini Chakra in the center of the Earth which burns up all the pain, the Trauma Formed negative karmic mass for a specific purpose - Grounding the last drops of your VITRIOL or anger in this case. Reading about it will not do it. We must live it in the Energy Enhancement guided Meditation which truly speeds up the process of Illumination.

Therefore I shall now tell
What each meaneth particularly
And then indicate without hesitation
How it is called by name.
Therein is a secret thing of the Wise
In which is to be found great power.
And how to prepare it will also
Be described in the following:

This is a promise to tell us how to transform the Stone of the Philosophers, into the Philosophers' Stone. They are at opposite ends of a spectrum. But this implies a unity between them and a continuity. So why are they different although connected? What is there to prepare?

The three shields together indicate
Sal, Sulphur, and Mercurium.
The Sal hath been one Corpus that
Is the very last one in the Art.
The Sulphur henceforth is the soul
Without which the body can do nothing.
Mercurius is the spirit of power,
Holding together both body and soul,
Therefore it is called a medium
Since whatever is made without it hath no stability.
For soul and body could not die
Should spirit also be with them.
And soul and spirit could not be
Unless they had a body to dwell in,
And no power had body or spirit
If the soul did not accompany them.

Here are our 3 vehicles of consciousness: Salt is the body; Sulfur is the soul; Mercury is the holy spirit.

We set up the guided meditation using the Holy Trinity. The Holy Trinity in so many religions which originally knew the meditations described by The Holy Trinity, but now all this knowledge has been lost, to be taught in Energy Enhancement the source of all true religion.

Salt is the body; Sulfur is the soul; Mercury is the holy spirit. They are the first part of the antahkarana column of mercury, the Holy Spirit flowing between the two polarities of energy, shakti from the center of the earth - sal, flowing through the Son which is you or Christ sitting on the surface of the earth, and the first chakra above the head, Sulphur the sun/soul.

Of course there are an infinity of chakras above the head ending in God. Our previous article on the Watchtowers describes how the Enochian Keys of Dr Dee purposefully block off the antahkarana at carefully defined chakras usually the Soul, the Monad and the Logos, thus blocking off you from God whilst giving you the appearance of power using a maximum of three chakras above the head.

As we rise through the chakras above the head in Energy Enhancement we contact the infinite energies of God, an Infinity of chakras above the head.

The qualities of Salt are multiplicity and action of Kundalini Shakti from Kundalini Chakra - the Chakra in the center of the Earth (Visita Interiora Terrae); the qualities of Sulfur are unity and will of the Soul or the Sun; the qualities of Mercury are duality and wisdom. We must combine all these qualities for effective and successful living. Our 3 vehicles are a differentiated unity. All the parts must function together. Have you noticed the difference in spelling between Mercurium and Mercurius? Like the Stone, they are related but not the same. They point to something that has to be experienced in Energy Enhancement Meditation, not read.

This is the meaning of the Art:
The body giveth form and constancy,
The soul doth dye and tinge it,
The spirit maketh it fluid and penetrateth it.
And therefore the Art cannot be
In one of these three things alone.
Nor can the greatest secret exist alone:
It must have body, soul, and spirit.

The secret of the Art is the combined effect of all 3 vehicles of consciousness. But where is the "I" that drives them? Where is the divine spark? What is the "fourth"?

And now what is the fourth,
From which the three originate,
The same names teach thee
And the sevenfold star in the lower shield.
The Lion likewise by its colour and power
Showeth its nature and its property.
In the Eagle yellow and white are manifest.

We are directed to the 3 and the 7. There are the three vehicles and the seven pointed star. The star is the body. The seven points are the 7 chakras and they are the connection between Sal the Center of the earth and soul - the first chakra above the head. Thus 3 (principles) + 7 (chakras) = 10 = 1 + 0 = 1. The text is telling us that the "fourth" is the ONE, that is, the union of all these chakras using the Holy Spirit to connect them all within the Antahkarana together with the divine spark of God above the Soul.

The separate reference to the eagle and the lion, is pointing to the polarity of the Above and the Below. This polarity is the driving force of the Prana or Kundalini Energy or the Holy Spirit which connects the entire scheme.

Mark my words well, for there is need of care:
The imperial orb doth exhibit
The symbol of this highest good.
Heaven and earth, four elements,
Fire , light, and water, are therein.
The two hands do testify with an oath
The right reason and the true knowledge,
And from what roots are derived
All of the metals and many other things.

We already know that the imperial orb is the same symbol as the Egyptian Ankh and they are the alchemical symbol for VITRIOL. From its inherent nature of Heaven and Earth - The Soul Chakra and the Kundalini Chakra are powered the 7 metals. These are our 7 chakras powered by the two external chakras . Truly, in VITRIOL - Kundalini Chakra is the answer to what powers the body of the Illuminated person into the base chakra. The other polarity of Sulphur or the Soul - connected through an infinity of Chakras to God is what powers the crown chakra

Now there remain only the seven words,
Hear further what they mean:
If thou dost now understand this well
This knowledge shall nevermore fail thee.
Every word standeth for a city
Each of which hath but one gate.
The first signifieth gold, is intentionally yellow.
The second for fair white silver.
The third, Mercurius, is likewise grey.
The fourth for tin, is heaven-blue.
The fifth for iron, is blood-red.
The sixth for copper, is true green.
The seventh for lead, is black as coal.

Let us recall the 7 words of the seven pointed star of the chakras of the body likened to standing for a chakra as in the sacred city of Saint Augustine: Only Kundalini Chakra is a city with one gate. All the other chakras have two gates because they transmit or channel the energy of the chakra above and that energy comes from God.

What is a city? It is an organic whole comprising of physical buildings (like a body), animated by living beings such as people, animals and plants (like a soul) and directed by abstract principles such as laws and government. Each chakra is like a computer processor - it has its own intelligence, its own spirit, but only when each chakra is connected by the energy of the holy spirit, can the parallel processing supercomputer of the integrated illuminated whole stand free!!

And what is the one gate? There is only one way to enter this city, and one way to come out. And this is the meaning of Rectificando - to rectify the energy in Kundalini Chakra in the center of the earth.

As the energy of God, channelled through the Soul and all the chakras of the body, one by one, passes into Kundalini Chakra in the center of the earth, so that energy is rectified, cleaned and burnt to sacred white ash or vibhuti, cleaned of all negativity in the Fission Fires in the center of the earth and reflected back through the body to the fusion fires of the Soul and thence back to God, creating a circular energy flowing back and forth between to two polarities of Heaven and Earth.

Here is the clue as to how we enter into the center of the earth using Energy Enhancement Vitriol:


The first Chakra is attributed to the Sun. This is the highest heart of the Soul chakra.

The second Chakra is attributed to Mercury. This is the crown chakra.

The third Chakra is attributed to the Moon. This is the brow chakra.

The fourth Chakra is attributed to Venus. This is the throat chakra.

The fifth Chakra is the Heart Chakra of Empathy and Love

The sixth Chakra is attributed to Jupiter This is the navel chakra.

The seventh Chakra . and is attributed to Mars This is the sacral chakra.

The Eighth Chakra is attributed to saturn. This is the base chakra.

The ninth Chakra is Kundalini Chakra - the base of all the other chakras which supplies them all with the reflected energy of God.

There is only one gate for Kundalini Chakra because this is the only way to truly understand what we are being told.

This is the order in which we are to stimulate the chakras:

There is something wrong here. We are told to go from gold to lead, when the whole point of the Art is to transmute lead into gold. Has the author of the text made a mistake? Why has he reversed the order? Could it be that this is a deliberate reversal, to alert us to the fact that the true order (the "one gate" mentioned in the text) is different from that given? Has the truth been jumbled so that "only those with eyes" will see?

Mark what I mean, understand me well:
In these city gates, indeed,
Standeth the whole ground of the Art.

These seven chakras stand on the ground of the Kundalini Chakra in the center of the earth. This is a clear warning that a correct understanding of the doctrine is essential for the Art to be performed successfully.

For no one city alone can effect anything,
The others must also be close at hand.
And as soon as the gates are closed
One cannot enter any city.

No one city/word/metal/chakra alone can achieve anything. All must work together. However if understanding fails, if all gates are closed by energy blockages then the chakras cannot function. "One Blockage and Heaven and earth are set infinitely apart" Zen Master Sosan from the Book, the illuminated mind of Sosan. Thus the secret of Energy Enhancement Level Two - Remove All Energy Blockages!!

And if they had no gates
Not one thing could they accomplish.

If we had no chakras, then we would not even be alive, let alone engaged in the Great Work.

But if these gates are close together
A ray of light appeareth from seven colors.
Shining very brightly together
Their might is incomparable.

When the 7 chakras function correctly, the ray of light that comes from God and the Soul above in a unified way, is very bright and intense. Surely its power is incomparable.

Thou canst not find such wonders on earth,
Wherefore hearken unto further particulars:
Seven letters, and seven words,
Seven cities, and seven gates,
Seven times, and seven metals,
Seven days, and seven ciphers.
Whereby I mean seven herbs
Also seven arts and seven stones.

The repetition of the number 7 serves to emphazise the subtle doctrine of analogy. The Above is like the Below but is not the Below. Seven letters are like seven words; seven times are like seven metals; but the times are not the metals; the ciphers are not the days. Only meditation will lead to true understanding. The point is this. As we progress into higher levels of reality, we are moving into unfamiliar territory. We literally do not know what to expect. However we have a map like the diagram and we navigate by it. A map is not the terrain, it is like the terrain. A map is a symbolic representation, an analogy, of the actual terrain. By following the map we can chart a course in unknown places. By Energy Enhancement Meditation we gain understanding, by guided imagination we make the journey.

Therein stands every lasting art.
Well for him who findeth this.
If this be too hard for thee to understand
Hear me again in a few other particulars:
Truly I reveal to thee
Very clearly and plainly, without hatred or envy,
How it is named with one word
Vitriol, for him who understandeth it.

We do understand vitriol now don't we? It is the basis for the Art and for the Great Work.

If thou wouldst oft figure out
This Cabbalistic way with all diligence,
Seven and fifty in the cipher
Thou findest figured everywhere.
Let not the Work discourage thee,
Understand me rightly, so shalt thou enjoy it.

We are told bluntly that to figure all this out, we must understand rightly. The right way is kabalistic and the clue is in the numbers 7 & 50. Simple isn't it? If we look at this literally, we are being told that 57 is key. What does that mean? Let us try this kabalistically:

7 + (5 x 10) = 57
= 5 + 7
= 12

= 1 + 2

Quite clearly, this is not ordinary mathematics. This requires a different form of logic and a radical change of perspective. That is precisely what is expected of us. If the diagram is the map, the numbers are the compass:

5 elements (aether, air, fire, water, earth);

7 chakras;

10 sefirot on the Tree of Life;

12 signs of the zodiac.

2 polarities of Heaven and Earth, Soul and Kundalini Chakra powered by 1 God


Besides that, note this fully,
There is a water which doth not make wet.
From it the metals are produced,
It is frozen as hard as ice.
A moistened dust a fuller wind doth raise,
Wherein are all qualities.
If thou dost not understand this,
Then I may not name it for thee otherwise.

What is this water that does not wet, from which the metals (chakras) are produced? It is the Dew of the Philosophers. It contains the Salt that acts upon the Sulfur and the Mercury of the Prima Materia. It is the contents of the cup in the diagram. Note that the Sun and the Moon are pouring a liquid into a cup supported by Mercury. This is the Elixir. This is all clear enough isn't it? Bad luck if it isn't, because the author of the text will "not name" it for us.

Now I will instruct thee
How it should be prepared.
There are seven ways for this art,
If thou neglectest any of them thou workest in vain.
But thou must, before all things else, know
Thou hast to succeed in purification.
And although this be twofold,
Thou art in need of one alone.

This "water" is prepared in 7 steps. If we ignore any one of them, we shall fail. We must purify first. The secret of purification is in the alchemical koan, solve et coagula, that is;

Solve: dissolve the negativity in the center of the earth to create more of the Holy Spirit.

et: join the chakras together.

Coagula: use the created positive purified energy in the center of the earth to integrate all the chakras by removing their energy blockages and synthezise the purified chakra parts into ONE integrated, unified, enlightened, illuminated, Antahkarana whole.

Negative Energy and Energy Blockages are taken, separated, purified and put back into the "one alone" that we need. This is the "One Only Thing" mentioned in the Emerald Tablet of Hermes. Note well, this is the relationship between the Stone of the Philosophers (Energy blockages) and the Philosophers' Stone - Kundalini Chakra in the center of the earth.

But what of the "water"? When our 7 chakras are functioning properly, the flow of energy through them looks like water; but it is water that "does not wet" - it is Prana, Kundalini Energy, The Holy Spirit of the One God with 10,000 names.

First we must purify, then we must integrate. Clear enough isn't it?

The first work is freely done by it
Without any other addition,
Without distilling something in it,
Simply through its putrefication.
From all of its earthliness
Is everything afterwards prepared.

The process is "putrefication". It is the separation of the vehicles of consciousness, body and soul. Normally, we regard this as physical death. However if we consider it to be an Energy Enhancement  integration of all the purified chakras - a projection of consciousness arising from deep meditation and guided visualization, from Kundalini Chakra out through the body into the Soul and thence to God - we get closer to the mark.

This is the Energy Enhancement Guided Meditation.

This is the Guided Meditation of OM!!

This first way hath two paths,
Happy is he who goeth on the right path.
The first extendeth through the strength of fire,
With and in itself, note this well.
The second extendeth further
Until one cometh to treasure and to gain.
This is done by dissolving,
And again by saturating, I inform you:
This must be undertaken first of all,
So comest thou to the end of the fine art.

The "first way" of purification has two paths because the One Only Thing must be separated into two parts. One way is by "fire" and the other way is by "dissolving and saturating". We must choose the right path. Only Energy Enhancement Meditation will show us the way.

After the whole purification hath been completed
It will be prepared and boiled in the sun
Or in the warm dung of its time,
Which extendeth itself very far
Until it becometh constant and perfect,
And the treasure of the Wise is in it.

Remember, we are dealing with the Dew of the Philosophers. After purification, it is prepared either by boiling in the fusion sun chakra - Sulphur, or in warm dung. Dung? Yes, this is the continual slow heat that comes from the fission fires in the center of the earth, Kundalini Chakra is the Philosophers Stone - a heat that comes from organic substances when they putrefy.

It takes time and patience. This is an analogy for a particular kind of Energy Enhancement Meditation we learn in Energy Enhancement Level 3 - The Cleaning of Karma, the removal of deep energy blockages - requiring patient self-examination. Note the doctrine of analogy again and also note that to examine ourselves requires us to delve into that part of our being that is filthy and stinks. Do you still want to proceed? The treasure of the Wise is in the dung heap. This is the fuel for your enlightenment as you purify the negativity.

The other ways are very subtle
And many mighty one fail therein,
For here is the purpose of the distillation
And the sublimation of the Wise Men.
The separation of the four elements
Is also called by the Wise Men
Air, water, and rectified fire.
The earth on the ground hath mislead many,
Having been deemed a worthless thing,
Although all the power lieth in it.

Distillation is the evaporation and subsequent condensation of the Dew. This purifies and concentrates its volatile essence. Remember that the Emerald Tablet tells us to "separate the subtle from the gross". Sublimation is the analogous (that word again) process as applied to solids. In this case it is a reference to the Prima Materia. The Tablet also tells us to "separate the earth from the fire". Hence the special mention above of "rectified fire" and the "earth….deemed worthless…..although all the power lies in it". The distilled Dew is the sublimated Prima Materia - it is the crystallisation of the purified chakras into one integrated whole which is unchangeably pure and good..

Some know not how to separate it
From their Cortibus, therefore they fail.
It was cast behind the door,
But the Wise Man taketh it up again,
Purifieth it snow-white and clear:
This is the ground, I say in truth.
But if thou dost wish to separate it,
Note that it is of no little importance,
For if they are not prepared
Then you are in error, that I swear.

What is the Dew purified "snow-white and clear"? The Pranic Kundalini energy flows from the 7 purified chakras combine into one white and clear light.

Therefore thou must also have some vinegar
Which is revealed to the Wise Men,
Wherewith thou wilt effect the separation,
So that nothing earthly remaineth in it any more,
Till body and soul have to be separated,
Otherwise called fire and earth
And after they are thus purified,

Alchemical vinegar is the "water that kills and vivifies". It transmutes the vehicle of consciousness the body, into the vehicle of consciousness the spirit. This involves the separation and transmutation of the negative energy, the Trauma Formed negative Karmic mass, the Energy Blockages from out of the body and soul, as vehicles of consciousness.

Note that purification is associated with separation of the negativity and the burning up of the negativity in the Kundalini Chakra in the center of the earth at first and these an intensification of the fusion energy from God through the third eye in Patanjali Samyama to purify even deeper blockages.

Remember also that the Emerald Tablet associates the process of separation (Earth from Fire/ subtle from gross) "with great judgement and skill", with the Samyama of Raja Yoga.


And thereupon followeth the mixture, observe!
And so it cometh to a wondrous strength,
The finished figures with the unfinished.
And if the fire be likewise rightly controlled,
It will be entirely perfect
In much less time than a year.

The three pointing hands are showing us something crucial. What was separated, is now mixed and strong. Right control of the fire is the analogy (yes, that word again) for disciplined meditation. There are 12 months in a year, but if we do this right, it will take "much less time than a year". If we use numbers as an analogy for a compass, we are being pointed in a significant direction. There are 12 signs of the zodiac. What is numerically less than 12 but still alchemically significant? How about the 7 planets? They are the 7 chakras Above the head, analogous to our 7 chakras Below.

Now thou hast the entire way in its length
On which are not more than two paths.
From these one soon wandereth and goeth astray,
Else it all standeth clear and plain.
The one is the water of the Wise Men,
Which is the Mercurius alone.
The other is called a vinegar,
And it is known only to a very few.
And this vinegar doth circle
Away from the philosophical iron.

Now everything is "clear and plain". Of the two paths, one is the water of the Wise, the Dew, and the other is the vinegar. The Dew is linked to the principle of Mercury, which is the analogy for the vehicle of consciousness, the spirit.

Vinegar is the water that kills and vivifies and is said to move away from the philosophical iron.

This is the Psychic Sexual Connection, cords of energy, the ties which bind, which needs to be Mastered in the Energy Enhancement Level Four - Mastery of Relationships.

This metal is the analogy for the sacral chakra and is therefore linked to sexual fluids. We can understand why such fluids "vivify", but why do they "kill"? They kill the process of Illumination because sex is connected with selfish desire, "If there had been two things like sex, I never would have become Enlightened" - Gurdjieff.

It is Lord Aes whom it maketh glad.
Therefore they have combined so closely
Many hundred forms and names are given
After each hath chosen it.
One way springeth from the true source,
A few have worked on it for a whole year.
But many through their art and craft
Have shortened so long a space of time.
And quickly is the preparation set free
As Alchemy doth point out.

The preparation is set free by Art. All of this implies that we are responsible to perform the Great Work. No one else will do it for us. Note well, the Great Work is analogous to what Christians call Salvation.

The preparation alone
Maketh this stone great and glorious.
Although there is but one matter
It lacketh nothing else.
But when it is clarified
Its name hath misled many.
However, I have revealed enough to thee
In many ways, forms, and fashions.
There are many names; I say
Let not thyself be misled from the true way.

The preparation which up to now has been concerned with the water of the Wise and the vinegar of the Philosophers, is suddenly related to a "stone great and glorious". Is this the Stone of the Philosophers or the Philosophers' Stone? Since it now lacks nothing and has been clarified, we can infer that it is the Stone of the Philosophers or an Energy Blockage which has been purified. It is called many things but we must not be misled by them.

In their scriptures the Elders write
That it is a draught, a great poison.
Others call it a snake, a monster,
Which is not costly anywhere.
It is common to all men
Throughout the world, to rich and also to poor.
It is the property of the metals
Through which they conquer victoriously.

Now the Stone of the Philosophers or an Energy Blockage is called a "great poison" and a "snake or monster".

All of us have it for little cost and through it, the metals (7 chakras) "conquer victoriously".

The poison of the snake leads to victory. That is perfectly clear isn't it?

Is this the kundalini serpent coiled in the base chakra that can poison us if the Stealer on the doorstep - a major Energy Blockage of the Base Chakra is wrongly released, or lead to victory if rightly prepared?

The same is a perfection
And setteth a golden crown upon it.
Now the practice is completed
For him who understandeth it and knoweth the matter.

The "golden crown" is a good description of the Crown chakra in its proper functioning. When that occurs, we have true understanding and knowledge because we then function at a much higher level of consciousness through our rectified vehicles of consciousness.

Only two things more are to be chosen
Which thou wilt find by now
If thou dost follow the right way
And attend carefully to thy work.
The composition is the one
Which the Wise Men kept secret.

If you know the composition, remain silent.

The nature of the fire also hath hidden craft;
Therefore its order is another.
With that, one should, not deal too much
Or else all execution is lost.
One cannot be too subtle with it.

If you know the nature of the fire, remain silent, "lest swine turn and rend thee" - Jesus Christ on the Pearls before Swine.

As the hen hatcheth out the chick
So also shall it be in the beginning,
And time itself will prove it.
For just as the fire is regulated
Will this treasure itself be produced.
Be industrious, constant, peaceful, and pious,
And also ask God for His help:
If thou dost obtain that, then always remember
The poor and their needs.

As it says in the Yoga Sutras of Patanjali.. "Meditate for a long time, constantly and with Enthusiasm"

En theos isasm - the energy of the alignment with the energies of God..

We must act with the patience and care of a mother hen, to regulate the fire, so as to produce the treasure. All clear now? By the way, our own efforts are not enough. Ask God for help and remember those in need.

As for the Poor in Spirit of the Beatitudes of Jesus - those who have removed their Energy Blockages, "They will see God"

Solve et Coagula - SEC


Ramana Maharshi became enlightened at the age of sixteen, - he Saw God!! Thereafter people brought him all the ancient texts to explain them. Never having seen the texts before he explained them, "From his own experience" This is the methodology of Energy Enhancement Satchidanand





Visita Interiore Terrae Rectificando Invenies Occultem Lapidem and Earth Connection

 Energy Enhancement - The Greatest Spiritual Techniques to Remove Negative Karmic Mass and Energy Blockages











The Energy Enhancement Kundalini Key contains within it the Origin of all Sacred Symbols - Ancient Egyptian Ankh, Hindu Shivalingam and Yoni, The Sufi Alhambra Fountain, The Christian Cross and many more - SEE BELOW...




















email for details...


Don't hesitate - go for it!! "  

MS (Ireland) Human Resources Director, Europe/Asia, of a Fortune 500 US Multinational Company


"I have experience of many forms of meditation and practices for self improvement including: Transcendental meditation (TM) 12 years, Kriya Yoga 9 years, Sushila Buddhi Dharma (SUBUD) 7 years, and more recently the Sedona Method and the Course in Miracles.

The Energy Enhancement programme encapsulates and expands all of these systems, it is complete and no questions are left unanswered."







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5.0 out of 5 stars This Book is Amazing.- Super Energy and Sacred Symbols, August 10, 2009

This Book is Amazing. It is a new Vision of One Meditation available from Every religious tradition which works to raise Kundalini Energy and Enlightenment.

This Energy Enhancement Book gives the Secrets of Illumination and the meditational unity of all the world's major religions from their sacred symbols and shows how all these Ancient Sacred Symbols indicate one Guided Meditation showing how to get into Alignment with a Stream of Energy from Kundalini Chakra in the Earth's Center To the Central Spiritual Sun "Brighter than 10,000 Suns" in the Center of the Universe. To Square the Circle - The Energy Enhancement Kundalini Key Synthesis of Religion. Learn Secrets of the Kundalini Kriyas...

The secrets at the heart of these sacred symbols shows the meditational unity of all the world's major religions - Ancient Egyptian, Masonic, Ancient Greek, Alchemical Taoism, Hindu, Sufi, Zen Buddhism, Christian, Gurdjieffian. That these all these symbols are Legominisms - Ancient Secrets from all the World's Spiritual Masters and Saints who founded these Religions - which are the Initiations of Energy Enhancement.


Some of the symbols explained are, The Yin Yang, the Cross and the Iona Cross, Om or Amen, Antahkarana, Squaring the Circle, The Holy Grail, The DNA Spiral, Caduceus, The Pyramid, The Ankh, Sufi Whirling Dervishes, The Fountain at the Sufi Alhambra, The Light of the Soul, Sphinx or Centaur, The 12 Labours of Hercules, Zen Circle, Alchemy, VITRIOL and the Emerald Tablet of Hermes Trismegistus, Omphallus, The Antahkarana Axis Mundi, The Myth of King Arthur and The Sword and the Stone, Launcelot and Guinevere, The Yoni and Shivalingam, The Chakras, Kundalini Energy, Tantra and Sex, Philosophers Stone and VITRIOL, Squaring the Circle, The completion of the Octave.

The sacred Symbols explain Human Evolution and the Chakras, Sexual Abuse and Rape, Energy Connections between chakras, The Heart Chakra and Society, Crown Chakra Connections to Chakras above the head, Then There is Anger, Jealous People are called Monkeys, What are the Strategies of the Energy Vampire?


Swami Satchidanand has created something new here which actually works. Testimonials from the site [...] shows that the map provided by these ancient symbols works in practise to Speed Up the Meditational Process, gain energy and remove Energy Blockages.


Swami Satchidanand has taught many Students Ancient yet Powerful methods to Access More Wisdom, More Kundalini, More Clarity, More Intelligence, More Energy using Energy Enhancement Techniques available Live or On Video together with many Talks, Books, Videos. More Energy Enhancement Meditation at... [...]


Energy Enhancement  Meditation GET THE FREE BOOK BELOW!!

If you’ve tried all the meditation techniques out there and still feel like you don’t get it and continue to be frustrated with meditation, take the time to explore what Swami Satchidanand of Energy Enhancement Meditation has to offer. His techniques get you into the meditation zone very quickly and move you on to releasing negative energy blockages.  

I’ve studied and practiced many many techniques. I find Satchi’s presentation of meditation to be visually appealing, extremely effective, and a must for anyone who is into symbols, mythology, Latin, or Pink Floyd - not to mention Jung and the Thoth Tarot Deck!

I’d been on his mailing list for years because his emails and web pages are so wild, you just have to read them. Finally, I decided to get his course last year. WOW!  This man knows his stuff! When he started talking about the proper alignment of the spine I knew I was home. Don’t let Satchi’s mad rambling’s fool you…he’s for real.

It took me a bit of practice to get my spine in proper alignment, but when I did, the quality of my meditation experience changed  immediately. I could feel the difference. And things have been coming up to be cleared like no bodies business over the last year.

My “Catholic Jedi” fiance even gave meditating “the Energy Enhancement way” a chance and he experienced the meditation zone. This is someone who was never exposed to all the various meditation techniques like I had been.

And here’s a little treat for you: an ebook from Satchi that’s a visual feast of information! If you have signed up on my mailing list, you will receive Satchi’s gift (no need to sign up again). If you haven’t signed up already, go sign up at the right to receive this amazing little book.

Be sure to check out his site for more info on Energy Enhancement Meditation.

Beware that the site takes forever to load…lots and lots of information. And, in my opinion, it is confusing on how to order, or what you are ordering, so just email him if you need clarification. You’ll find his email on the site. It’s well worth your time to explore.

You will also find that Satchi is very willing to communicate with people. He has been very responsive to my inquiries over the last year.

And if you decide to explore Energy Enhancement Meditation with Satchi, be sure to tell him “Cara sent you.”

I asked Satchi what was his favorite video of all the one’s he has posted on his Youtube channel (plethora describes the quantity of videos). This is the one he chose: Satchidanand, Meditation, Chakras above the head + Kundalini. Enjoy the trippy intro music and Spanish translation!

Stay tuned for my exclusive interview with Swami Satchidanand in the next post.

Blessings always,


P.S  Go to Satchi’s site, Energy Enhancement Meditation, now! It’s a trip…just be patient : )






Remove Trauma - Formed Negative Karmic Mass - Remove  all the Evil in this World

The Removal Of Trauma - Formed negative Karmic Mass can be achieved by

1. The Grounding of Negative Energies through the Energy Enhancement Guided Meditation encoded in the Latin Word, VITRIOL in Initiation Three of Level One of Energy Enhancement -

2. Through the Energy Enhancement Seven Step Process to Remove Energy Blockages of Level 2 of Energy Enhancement.




ENERGY ENHANCEMENT INITIATION 3 - Taoist Earth Orbit - The Grounding of Negative Energies: Alchemy, Hermes Trismegistus VITRIOL Visita Interiore Terrae Rectificando Invenies Occultem Lapidem and Earth Connection

The Grounding of Negative Energies.





So, all the problems of our lives, of the lives of our family and Friends, of our Cities and Countries and all the Countries in the World. All of the problems of this world are caused by Pain which creates Negative Karmic Mass which creates Psychopathy which creates all the Evil on this planet.
The Solution to all of our problems and to the problems in this World is to dissolve all Negative Karmic Mass, to resolve to follow the Path of Harmlessness – align with the Will of God - and then the Energy Enhancement techniques - the Grounding of Negative Energies and the removal of Energy Blockages as a means to Personal Enlightenment Inner Peace and to then to World Peace itself.
Further, it is the means whereby this Planet and all the people on it can take higher Initiations, and this Planet become a Sacred Planet at a higher level of Energy, Radiating strongly the Energy of Love.

This can be acheived by the Grounding of Negative Energies through the Guided Meditation encoded in the Latin Word, VITRIOL in Initiation Three of Level One of Energy Enhancement - Also through the Energy Enhancement Seven Step Process to Remove Energy Blockages of Level 2 of Energy Enhancement.






Energy Enhancement is the Solution to All the Problems in YOUR LIFE

Come on the Course Now!!


Remove Trauma - Formed Negative Karmic Mass - Remove  all the Evil in this World

The Removal Of Trauma - Formed negative Karmic Mass can be achieved by

1. The Grounding of Negative Energies through the Energy Enhancement Guided Meditation encoded in the Latin Word, VITRIOL in Initiation Three of Level One of Energy Enhancement -

2. Also through the Energy Enhancement Seven Step Process to Remove Energy Blockages of Level 2 of Energy Enhancement.

















IMMEDIATE meditational experience